3 WOMEN: The Unknown Girl, Battle of the Sexes, Mother!


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First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

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Warning: SPOILERS

 

There have been many examples of siblings sharing writing, directing and even producing credits from the Maysles to the Tavianis to the Wachowskis. Perhaps the most successful pairs artistically are the Coens and the Dardennes.
However, though the Coen brothers output is often quite breathtaking with wonderful highs (Fargo, True Grit, No Country for Old Men), they are far more erratic in quality of output (Hail, Caesar!, Burn After Reading, The Ladykillers).
Few filmmakers, however, have had the consistency of Jean-Pierre and Luc Dardennes, Belgium brothers that first made their name in the U.S. with their Cannes winning film Rosetta, about a young women desperate to get employment, and they cemented their reputation with such triumphs as La Promesse, The Son, L’enfant and most recently Two Days, One Night.
Now we have The Unknown Girl, one of the finer films so far this year. Continue reading
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STRANGERER THINGS: It


For questions: hcasner@aol.com

First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
It, the new film adaptation of Stephen King’s horror novel which exploits childhood fears of clowns, opened in September setting records with many critics saying it may actually prove the salvation of a lackluster, to say the least, summer box office.
It reached 85% on Rotten Tomatoes and based on anecdotal evidence of my Facebook page, most everyone I know swears by it, heralding it as the emperor in a new golden age of horror movies.
But for me, it’s the emperor’s new clothes and one of the worst films of the year. Continue reading

IS IT REAL OR IS IT MEMOREX: Brigsby Bear and Marjorie Prime


First, a word from our sponsors: I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
Brigsby Bear is basically the same story as Room (but not The Room), but though a comedy, is cleverer, deeper, better written, more original and more profound than the earlier critically acclaimed drama, which for my taste had a strong first half and then became a bit too predictable and formulaic in the second.
The film, a first feature for director Dave McCary and writers Kevin Costello and Kyle Mooney (Mooney also plays the lead role), is about James Pope, now 29, but who was abducted by a couple, April and Ted Mitchum, when he was five. Since then he has been kept in an underground bunker with his faux parents telling him he can’t go outside because the world out there is a apocalyptic wasteland and leaving the bunker means certain death. Continue reading

CRIME DOES PAY: Logan Lucky and The Nile Hilton Incident


For questions: hcasner@aol.com
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
Everyone in the US seems to agree that the working class is under siege. And it’s still unclear whether there is any real relief in sight.
I’m not sure whether this is the reason filmmakers have been creating stories that focus on the more downtrodden in our society (zeitgeists are almost impossible to recognize until we are out of them), but last year we had Hell or High Water, and more recently we’ve had Patti Cake$, Beach Rats and the topic of this review, Logan Lucky.
All the films have fallen into various genres and niches. Hell or High Water is a modern western/crime film; Patti Cake$ is a musical; Beach Rats is a coming out story; and Logan Lucky is a heist film. Continue reading

MIRROR, MIRROR: Patti Cake$ and Beach Rats


First, a word from our sponsors: I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS

 

Two movies have opened recently in which the central characters occasionally gaze at themselves in the mirror, not for narcissistic reasons, but as if trying to figure out who they really are.
Patti Cake$ is a somewhat zaftig, working class, twenty something, white female who has dreams of being a rap singer. At first glance this might seem a preposterous idea, until she opens her mouth and recites one of her hundreds of poems she writes every waking chance she gets.
Then she has the power of Maria Callas, a vengeful angel laying waste to her multitude of distracters. Continue reading

LAMBcast Podcasts


First, a word from our sponsors: I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

 

In the last few weeks I have participated in two LAMBcast podcasts.

The first was on The Dark Tower. Out of the four, only one person liked it, but we still managed to get an hour and a half out of it. You can listen to it at: http://ow.ly/G4R930eGKyO

 

 

 

I also participated in a podcast called Roll Your Own Top 5 where we each chose our own subject. This was a lot of fun. Mine was a list of movies to see for an introduction to South Korean movies. You can listen to that at: http://ow.ly/ppu630eGKD7