BEAUTIFUL CREATURES



Beautiful Creatures, the new slough of despair, riddled with angst teenage film written and directed by Richard LaGravenese, is one of those movies that preaches against intolerance and bigotry and then makes cartoons out of every Christian in town, except for the one who’s black and therefore a true believer (stereotype much?).   It’s also a teenage version of Bewitched in which a mortal falls in love with a witch (oh, all right, Christine O’Donnell, they are not witches, they are casters—happy now?), but with more adolescent ennui and existential dread.  Finally, it’s also one of the myriad of films that we’re going to be plagued with (and I mean plagued) as various producers desperately try to fill the void that has been formed by the absence of the Twilight franchise.   
I think it’s safe to say that Beautiful Creatures didn’t do a lot for me (I only went because I finally decided it had a better chance of working than that new Die Hard film—unfortunately, from what I’m hearing, I made the right choice).
To be fair, there is one marvelous scene near the beginning of Beautiful Creatures that did suggest the movie might actually go somewhere.  Not anywhere great, mind you, I wasn’t that optimistic; but, you know, somewhere.  In this scene, our hapless hero Ethan (played by Alden Ehrenreich, who has such an unnerving resemblance to Leonardo DiCaprio, he could play his younger brother) is put under a spell by caster Macon (Jeremy Irons—yes, that Jeremy Irons) and asked what he’s going to do with his life.  It’s already been readily established that he is applying to every college more than a thousand miles away in order to get out of his podunk, one-horse town.  But instead of going there, he instead finds himself spouting out that he’s going to college locally so he can take care of his father and end up teaching in town, making a disastrous marriage and cheating on his wife and drinking heavily and having a heart attack at age 52, etc., etc., until he dies at age 62 by hanging himself (but with the rather brilliant coup de grace that his body won’t be found for a few days).  
But alas and alack, this going somewhere twas not to be, for a few scenes later, Macon and another character, Sarafine, who has taken over the body of the local religious bigot Mrs. Lincoln (played by Emma Thompson—yes, that Emma Thompson), have a lengthy pax de duex  in a church that goes on and on…and on.  And at this point, this very point, the movie crashes and burns and, to mix metaphors, gets buried so deep, not even George Romero could resurrect it.
And speaking of Jeremy Irons and Emma Thompson, not to mention Viola Davis and Eileen Atkins and Margo Martindale (yes, that David, Atkins and Martindale), why is it in England when they use their great actors and award winners for escapist fare, they give them movies like The Lord of the Rings, Harry Potter and the James Bond films, but in the U.S. they give them stuff like…like…well, like this? 
But you have to hand it to them.  All the actors are game and they play it all as if it were written by the bard himself (one doesn’t know whether to give them credit where credit is due for that, or just sit down and weep tears of Dido).  At any rate, it hardly matters.  Most of the time one just sits there not entranced by their performances, but just trying to figure out why they would make a movie like this.   
Yeah, I don’t think Beautiful Creatures did a lot for me.
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