My latest testimonials:
This is the third time I’ve sent something to you, and you have been incredibly spot on every time. Thank you so much. I’m revising another script at the moment and working on new one too. You can bet that I’ll be in contact with you regarding notes/feedback.
Kathy Reaume – Driver’s Training
Michelle Atkins, who won the Nicholls this year for her screenplay Talking About the Sky. She gave me a great shout out as a script consultant in her interview with Scott Myers for Go Into the Story. Among other things she said, “What Stephen King calls your ideal reader…”. Check out the interview at http://ow.ly/733G30bKwwQ. Thanks, Michelle.
“Howard’s feedback showed a complete understanding of the world, I created. It was very helpful to me in fleshing out a stronger journey for my main character, and their relationships with other characters. His comprehensive proofreading notes are superb, and I highly recommend his services to screenwriters of all levels.
Linda Andersson, Residual Evidence
“Have Howard look at your script before you send it anywhere! I was so close to my project and felt like it was more polished than it had been several drafts ago. But Howard was able to identify some key structural and plot issues that really make a difference. He’s objective, insightful, and turns it around fast. He’s a real professional, and his feedback is invaluable if you want a script that works.”
Renee Lukas, The Grim Reaper
I highly recommend Howard Casner. He has the distinct ability to hone in on particular problems areas of a script. I’ve sent him two scripts now for review. Each time he was able
to pick up on the problem areas that I needed to revise. His advice was spot on. For both scripts that he’s reviewed for me, I knew something wasn’t quite right, but I couldn’t put my finger on it. Howard was able to analyze what I wrote and let me know my strengths and weaknesses. I’m looking forward to working with him on some of the writing projects that I’m currently in various stages of writing. If you want a second eye to pick on possible problem areas or to just let you know if your idea/premise is interesting, please consider using Howard. He definitely has the right touch.
Kathleen Resume, The Pirate
I took a few days to let your script coverage sink in. I feel like I have this great moment of clarity. In a lot of ways, I feel like I grew as a writer reading through your observations and notes. From act structure to narrative through line, you helped me hone in on what I’m trying to say with this story and I’m hopeful I can elevate this premise to a new level and that is because of you. Your recommendations are also a life saver! No way would I have been able to see the potential plot twists you created, and that alone was worth the price. You gave me hope in this story and I am so rejuvenated and ready to tackle this again!
Bryan Mora, Dead Man’s Party
Thank you so much. Great coverage and great tips on how to make my story resonate more!
Jake Iorio, Being Man
I have read all the…reviews and I ditto the sentiment. I was actually a little skeptical given I had several reviews in the past with not so good results. Howard is tough, honest and clear with his review. He knows what the heck he’s talking about [re] story. I truly appreciate him and FINALLY finding someone who talks the proper language. I will run all my scripts through him in the future. I have to be honest, you are the first person who actually knows what the heck he’s talking about [re] story. I paid hundreds to others. I truly appreciate you and FINALLY finding someone who talks the proper language. THANK YOU THANK YOU!
Brenda Jellits, Wisp
I wouldn’t dare produce a screenplay without first having Howard provide coverage. He has the most uncanny ability to not only point to the issues and questions that plague my subconscious while reading or writing a script, he goes so far as to provide creative and compelling solutions for each problem. He is a most potent secret weapon. Worth every penny.
Alan Ritchson (Ludusary, The Pact, The Twelve)
Actor (Teenage Mutant Ninja Turtles; The Hunger Games: Catching Fire; Blue Mountain State; Smallville
In addition, a screenplay I did coverage for is a Nicholls Finalist. Talking About the Sky, by Michelle Atkins. Congratulations, Michelle, well deserved.
I wanted to reach out as it has been a couple of months since you did my coverage on my TV pilot, Joe Hollywood, based on Joseph Kennedy’s time in Hollywood. I wanted to touch base and give you an update, after receiving your very though coverage and recommendations, I went back and made some important changes in the script. A few weeks ago, a lit manager reached out to me as he liked my pitch and requested my script. He really liked my pilot and asked for more scripts…
that narrative throughline totally changed my script, brilliant man!
Jane Henning (Joe Hollywood)
See even more below.
I am also thrilled to announce that Thailand chose as it’s entry in the 2015 Oscar foreign language film category, Josh Kim’s How to Win at Checker’s (Every Time). I am proud to say that I did script consultation on this film and received special thanks in the credit. Kim’s testimonial for my services is below.
I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
When providing coverage or script consultation, I am a firm believer in not providing feedback based on a set of rules one gets from a popular book on screenwriting. All coverage should be based on the idea of trying to make a script work on its own terms. I don’t care if a character is active, passive, or reactive, but only if the story works. I don’t care if there is a three act structure and the first act ends on page 30, but only if the story works. I don’t care if the central character has a character arc, but only if the story works. I am a great advocate of writers trying to break the rules and find new ways of communicating their visions.
My charge for script consultation is $150.00 and consists of doing three to four pages of detailed notes, making notes on the script (if a hard copy is provided) and a one hour in person consultation. Turn around time is one week or less.
I also provide four to five pages of notes alone (no notes on script, no in person consultation) for $50.00.
Revising, script doctoring and ghost writing beginning at $1000, depending on credit and the difficulty of the revising/doctoring.
Consultation on a regular basis: $50.00 an hour with a six hour minimum.
And of course, the $20.00 for 20 pages–3-4 pages of consultation for the beginning of your screenplay.
I began doing script consultation in 2003 for the Slamdance Screenplay Competition. That year and for the next three years I discovered the first place winner. I quickly became one of their top readers and my coverage is used as the sample on their web site. In addition, I have read for the Slamdance Teleplay Competition (where I discovered the first place winner the first year) and the Horror Screenplay Competition. Also through Slamdance, I originated and co-produced the Slamdance on Stage reading series in which the winners of the competitions were provided staged readings of their scripts at different legitimate theaters around town.
At the present time, I provide coverage and am a reader for the Slamdance Screenplay Competition and the Big Break Final Draft Screenplay Competition. I have also read for Here! Networks/Regent Entertainment, Creative World Awards, the African Film Commission Screenplay Competition and been a judge for the Great Gay Screenplay Contest.
For my $20.00 for 20 pages
“[T}hank you howard! these are super great notes as always and has give me more ideas. [O]nce i get the full script done i’ll definitely send it over when you are free. [I]’ll keep you updated. and thank you again~~
Josh Kim, The Folding City
“$20 is a steal for this type of coverage. Howard, you are truly THE BEST. I would NEVER even consider submitting anything you hadn’t given me feedback on… and I would NEVER consider using anyone else for coverage… EVER! Even my screenplay being shopped right now — something as seemingly minor as a synopsis. Thank you for looking it over for me.”
Michael Davidson, Chasing Monarchs
“Great feedback on the first twenty pages. He anticipated all the problems of the script without reading the whole thing.”
Mark V. Bedard, The Haunting of Harrington House
“Howard’s insights on the first 20 pages of my screenplay were very insightful and pinpointed exactly what areas I needed to work on. His words of encouragement also showed me I was on the right track.”
Jordan Brandes, Into the Fire
“I have gone through your notes, and I must say, they are priceless. I’ve wasted lots of time and money on some consultants that sound established, but cannot measure up with you.”
Chidi Ezeibieli – Phate
Thank you so much for your great notes. It’s one of the best coverage I have ever gotten. I do appreciate it. I would like to use your service again in the near future.
Shintaro, The Girls Who Wait for God
I want to thank you for your incredible “Spot-on” review of my script. Every issue you brought to my attention was extremely helpful in pointing out the flaws the writer (myself) may not see until someone else reads the script…I will absolutely call on you again for your services. I appreciate that you explain the flaws and give suggestions on how the fix the issue. I’m not looking for a pat on the back when I pay for a review. I’m more interested in the problems the script may have and how to correct them. You are extremely talented when it comes to showing an alternate view without trying to tell me how “you” would write the script.
Chris Roberts-The Courier
Howard was the fresh pair of eyes that my script needed. It’s clear that he has a passion for what he does, and gift for it. Thanks to his notes and comments, I find myself re-energized, with a clear understanding of what needs to be done to take my story to the next level.
Keith Gillum, Sweet Warrior
Getting coverage from Howard allowed me as writer to step back and look at the screenplay from a wider perspective. Not only did Howard highlight problem areas, but he brainstormed ideas to help solve them. He is definitely a source I plan to come back to with future projects.
Josh KIM, How To Win At Checkers (Every Time), which played at the 2015 Berlin International Film Festival and is Thailand’s choice for entry in the Oscar foreign language category
I got some notes from Howard Casner on my unfinished screenplay that helped me reboot the effort. I like what I got but I am (and thus the story) pulled in too many directions. Howard’s notes should help my focus. Now I just have to remember to take it in bits and not be overwhelmed by whole … which wasn’t whole anyway.
Tim Lane, Peanut and Cracker Jack
Howard’s coverage is everything that you would expect from an experienced writer and script reader, and then more. Not content with simply exposing the issues that undermine a story’s potential, his perspicacious feedback is both constructive and challenging, compelling the writer to reassess the quality and content of the script. In one word, professional.
John Hӧrnschemeyer, Baring All
Howard is true to his word, he judges a screenplay on the merits of the story it wants to tell. I would recommend for anyone who wants to write films that risk going beyond the Hollywood three-act structure.
Zero Bucks a Night
Howard really knows his stuff….he gives valuable and specific suggestions…insightful and constructive.
I’m really glad I used his services and I will use them again for my next script.
WHO LAUGHS BEST, LAUGHS FIRST
Great coverage Howard. Way more than I expected. Thoughtful, intuitive and very detailed. You picked up on nuances I hoped to make, and others I perhaps could have. I am now finally fired up for rewrite. Loved your service. So very worth it.
David Graham, The Wardrobe
Just got my script notes from Howard Casner Script Consultation back for 101 Ways to Survive the End of the World and they are fantastic! Very helpful without being heartbreaking. If you are looking for professional coverage, I can not recommend him enough!
Tracee Oles Beebe, 101 Ways to Survive the End of the World
Thanks to Howard’s very helpful notes and rapid turn around, I just optioned my screenplay, 101 Ways to Survive the End of the World!
Tracee Oles Beebe, 101 Ways to Survive the End of the World
I recently sent a script to Howard for coverage and I had a short deadline. He responded with promptness and professionalism. I received the coverage in three days and he was spot with many of his notes. He provided ideas to improve the script all tidied up in an 8 page report. We also spoke by phone for about an hour. Very responsive. I am currently implementing 3 or 4 of those ideas and hope to submit the script in the next couple of days. I will use and recommend Howard for future coverage. Thanks Howard.
Honeymoon in Rome
I’m so glad I found Howard Casner. His feedback for my screenplay was the best I’ve ever received. He shined a light on what worked, but more importantly, on what didn’t. His notes were thorough, pointed, and his vantage point clearly addressed problem areas in my script. Some of which I knew existed, and others that I didn’t see.
It’s apparent he has a wealth of knowledge and a true talent for processing a story, then verbalizing how to elevate it. You get the sense that he truly enjoys providing feedback and isn’t just going through the motions, and that is priceless. After reading his coverage, I was inspired to immediately dive back in for rewrites to see where this story can go. That’s exactly where you want to be after receiving feedback.