Month: January 2016
My recommendations for film watching this week in L.A. 1/22-1/29/16
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
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And check out my script consultation services http://ow.ly/HPxKE
My recommendations for movie watching this week in L.A. 1/22-29/2016
ON NETFLIX: Lost Souls: The Doomed Journey of Richard Stanley’s Island of Dr. Moreau is a fascinating, but rather depressing, story about how a promising up and coming director, Richard Stanley (who had a cult following for his low budget horror films) found himself in over his head with his adaptation of H.G. Wells The Island of Dr. Moreau and was so embittered by the experience he almost completely withdrew from filmmaking. Filled with talking heads and behind the scenes footage, we see step by step how things quickly went wrong.
ON HULU: With three directors and four writers, Man Bites Dog is one of the funniest and darkest satires on found footage films (as well as one of the earliest). A film crew follows a serial killer as he adds to his victims. It’s a ridiculous premise, but it still works in all its vicious absurdity. Starring Benoit Poelvoorde as the racist murderer who loves to wax philosophic.
FIRST RUN and OPENING: Aferim!, The Lady in the Van, Son of Saul, The Revenant, The Hateful Eight, Star Wars: the Force Awakens Continue reading
THE 2015 Howies
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
2015 was an oddly structured year when it came to the quality of movie releases. At the same time, I’m beginning to suspect that this might just become the status quo for a while.
The first few months, until the beginning of the release of the inevitable tentpole films (around the time of Mad Max making its appearance), the theaters tended to be filled with either the previous year’s Oscar movies (which I had seen) or movies that were being dumped because their producers had lost faith in them.
It’s not that there wasn’t some gold here and there. Movies like Predestination and What We Do In the Shadows made their presence known. But overall, it was like pulling teeth to find a decent film to go to.
Then the blockbusters hit and with a vengeance. As usual, most weren’t very good, mediocre if we were lucky. At the same time, the quality was, on average, a bit better than usual with Mad Max, Spy and The Martian leading the pack.
Then fall hit, also with a vengeance, and all the distributors inundated the movie houses with their prestige pictures, and suddenly it was safe to go back to the theater again. Not that all of these lived up to their hype (cough, Steve Jobs, cough), but overall, the year ended with a nice selection of films to choose from for a best of list.
Let me know what you think.
So here are the 2015 Howies: Continue reading
My recommendations for film watching this week in L.A. 1/15-1/22/16
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year. Only $2.99. http://ow.ly/xN31r,
And check out my script consultation services http://ow.ly/HPxKE
My recommendations for movie watching this week in L.A. 1/15-22/2016
ON NETFLIX: In Out in the Dark, an espionage thriller written by Yael Shafrir and Michael Mayer, who also directed, a gay Palestinian man is having an affair with an Israeli lawyer. When the Israeli secret police discover this, they take the Palestinian man in and threaten to reveal his sexual identify to his family if he doesn’t help them trap his brother who is working for the PLO. An exciting and taut drama.
ON HULU: Ballad of a Soldier, made in 1959 after the thaw of Stalin, is the heartfelt story about a private who, after an act of bravery on the battlefield, gets leave to go home and see his mother, but hardly has time to get there and back. Written by Grigoriy Chukhray (who also directed) and Valentin Ezhov, it’s a get out your handkerchiefs story, but it earns its sentimentally validly as it traces the soldiers attempts to reach home and the people he runs into on the way.
FIRST RUN and OPENING: The Lady in the Van, Son of Saul, Band of Robbers, The Revenant, The Hateful Eight, Star Wars: the Force Awakens Continue reading
EXUENT PURSUED BY A BEAR: The Revenant and Anomalisa
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
The Revenant is, perhaps, one of the most visceral movies you will see in some time. Everybody involved, from the technicians to the designers to the screenwriters (Mark L. Smith and Alejandro Gonzales Inarritu from a novel by Michael Punka), to the director (Inarritu) seemed to have gone out of their way to give the movie a feeling of verisimilitude that can be matched by few films.
The dirty bodies and clothes and rotting teeth (you can almost smell the bad breath); the zip of an arrow through a man’s throat; the blood flowing from wounds made by knifes, bullets and hatchets; and the never ending harsh environment of snow and icy rivers (I almost caught the flu) are all paraded proudly for public consumption.
This is probably best demonstrated with what may now be the infamous bear attack scene in which our hero (Hugh Glass, played very bravely and stoically by Leonardo DiCaprio) is mauled, bitten and strewn all over the place by a mama grizzly fearing for her cubs. It’s an amazing bit of filmmaking and in many ways deserves all the praise it has earned.
And it goes on for a very long time. Continue reading
My Oscar Predictions
Tomorrow is the big day for movie nerds as the nominations for the next Academy Awards are revealed. As usual, I will try to predict the nominees in the top eight categories. I don’t expect to do that well this year. Usually I end up with an average of one wrong in each category, but this year has become more difficult as no one seems sure as to what will make the finals. But I will do my best.
However, I do think the winners are still more or less set. Best Picture and Director should still be Spotlight; Best Actor will be Leonardo DiCaprio for The Revenant; Best Actress will be Brie Larson for The Room; Best Supporting Actor will be Sylvester Stallone for Creed; Best Supporting Actress will be Rooney Mara for Carol; Best original screenplay is between Ex Machina and Spotlight; and Best Adapted Screenplay will be The Martian or Steve Jobs.
What do you think?
And The Nominees Are:
Best Picture:
The Big Short
Bridge of Spies
Brooklyn
Carol
Mad Max
The Martian
The Revenant
Spotlight
Straight Outta Compton
Best Director:
Todd Haynes, Carol
George Miller, Mad Max
Ridley Scott, The Martian
Alejandro Gonzalez Inarritu, The Revenant
Tom McCarthy, Spotlight
(If not Haynes, then Adam McKay for The Big Short)
Best Actor:
Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo DiCaprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Best Actress:
Cate Blanchett, Carol
Brie Larson, Room
Charlotte Rampling, 45 Years
Saoirse Ronan, Brooklyn
Lily Tomlin, Grandma
(Alicia Vikander for The Danish Girl could replace Rampling or Tomlin)
Best Supporting Actor:
Idris Elba, Beasts of No Nation
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Sylvester Stallone, Creed
(Christian Bale for the Big Short could get in, but I don’t know who he’d replace)
Best Supporting Actress:
Jane Fonda, Youth
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Alicia Vikander, Ex Machina
Kate Winslet, Steve Jobs
(Helen Mirren could get in, but I don’t know who’d she replace; maybe Alicia Vikander if she gets a Best Actress nom and not a Supporting one)
Best Original Screenplay:
Bridge of Spies
Ex Machina
The Hateful Eight
Inside Out
Spotlight
Best Adapted Screenplay:
The Big Short
Carol
The Martian
Room
Steve Jobs
HEAD CASES: Joy and Concussion
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
The movie Joy, the new sorta, kinda, maybe bio-pic of Joy Magano, inventor of the Miracle Mop, starts out with text on the screen: “Inspired by the true stories of daring women. One in particular”.
I don’t know. Somehow on seeing those words up there in front of me, there was something so…condescending and patronizing about it all. It’s as if the filmmakers David O. Russell (who wrote the screenplay and directed) and Annie Mumolo (who worked on Bridesmaids and gets co-story credit here) were doing women a favor by making the movie at all and that somehow women should be thankful that someone actually created a film that instructs them how they should be leading their lives, since, being women, apparently, they don’t really know how to be daring and independent themselves.
I’m sure I’m overreacting and I’m sure few others felt the same way, but there was just something about it that left a bad taste in my mouth.
Once this intro was over, we then spend the first third of the movie with Joy being victimized by her family (both extended and not) as it falls to her to take care of everyone else’s problems while she puts hers on hold. Continue reading
My recommendations for film watching this week in L.A. 1/8-1/15/2016
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year. Only $2.99. http://ow.ly/xN31r,
And check out my script consultation services http://ow.ly/HPxKE
My recommendations for movie watching this week in L.A. 1/8-1/15/2016
ON NETFLIX: Written by John Hodge (from a novel by Irvine Welsh) and directed by Danny Boyle, Trainspotting is a roller coaster through the lives of some Irish drug addicts as seen through the eyes of Renton (Ewan McGregor), who also narrates. Wonderfully written, electrically directed and splendidly acted, if you haven’t seen this film yet, you should. Also with Johnny Lee Miller, Robert Carlyle and Kelly Macdonald.
Howard Casner - Rantings and Ravings 