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The movie seasons seems to now have settled into three periods of time. The first third is made up of the leftovers from the award season as the Oscars fast approach.
The second third is generally made up of tentpole/big studio type films with more and more counterprogramming for those more interested in independent and foreign films, and even more so as the distributors realize that there are still a lot of older filmgoers out there yet going to the theater (as well as growing niche markets for the diversity crowd).
This reverses in the final third, the months leading up to awards season, in which the distributors pull out their prestige pictures and Oscar bait films. This time the counterprogramming is for the more youthful market who tend to go to tentpole/big studio type films.
I don’t know how long this will last or what further changes will come about due to the rise of television and live streaming, but que sera sera.
And so to the point, my best of the year.
I only do seven main best of categories (Best Picture, Actor, Actress, Supporting Actor, Supporting Actress, Director, Screenplay).
I do top ten when it comes to Best Picture. For the other categories, I allow myself between five and ten.
When I first began my lists, I always did a top five when it came to acting, etc. But I always felt that when it came down to making my final selections, it felt arbitrary to leave out those I really felt deserved to be included.
And anyway, it’s my list and I can do what I want.
I also usually do a list of Best Ensemble (why, I don’t know; sometimes I think it just gives me a way to award some extra performers when I just don’t have other room for them) as well as a list of miscellany awards for any film that I felt had some technical aspect to it that should be recognized.
I follow each individual list with an additional list of films I liked for the various categories, but couldn’t quite put in the top list.
I then finish the list off with the worst of the year.
However, let’s begin with some fun stuff:
The Blazing Saddles Award for Best Use of Farting in a Movie: Swiss Army Man
The Tony Curtis “Yondah is da castle of my faddah” The Black Shield of Falworth Award for worst accent: Andrew Garfield for Hacksaw Ridge and Silence
The Diana Christensen/Network Award for the Most Offensively Written Role for a Woman: Miss Sloane in Miss Sloane
The Lack of Irony Award for the Movie That Should Have Listened to Its Own Title: Silence
The NAMBLA Award for Best Triple Feature of the Year: The Nice Guys Loving Little Men
Now on to the real awards, but with one caveat. The Lobster was on my list for 2015.
Remaining nine (listed in alphabetical order):
20th Century Women
Hell or High Water
Loving
Manchester by the Sea
Moonlight
The Nice Guys
Rogue One: A Star Wars Story
Sing Street
Things to Come
Also rans, in alphabetical order: Deadpool, Deepwater Horizon, Don’t Think Twice, In the Shadow of Women, The Innocents, King Cobra, Midnight Special, Paterson, The People v. Fritz Bauer, Rogue One: A Star Wars Story, Sully, Swiss Army Man
Best Actor: Casey Affleck, Manchester by the Sea
And in alphabetical order:
Joel Edgerton – Loving
Tom Hanks – Sully
Dave Johns – I, Daniel Blake
Vincent Lindon – The Measure of a Man
Ryan Reynolds – Deadpool
Special duo award to Ryan Gosling and Russell Crow – The Nice Guys
Also rans: Pilou Asbaek – A War; Colin Firth – Genius; Burghart Klausner – The People v. Fritz Bower; Clive Owen – The Confirmation
Best Actress: Isabelle Huppert – Elle, Things to Come, Valley of Love
And in alphabetical order:
Annette Bening – 20th Century Women
Catherine Frot – Marguerite
Rebecca Hall – Christine
Ruth Negga – Loving
Natalie Portman – Jackie
Special duo award: Min-hee Kim, Tae-ri Kim – The Handmaiden
Also rans: Sonia Braga – Aquarius; Margherita Buy – Mia Madre; Sally Fields – Hello, My Name is Doris
Best Supporting Actor: Timothy Spall – Denial
And in alphabetical order:
Mahershala Ali – Moonlight
Tom Bennett – Love & Friendship
Jeff Bridges – Hell or High Water
Lucas Hedges – Manchester by the Sea
Jin-Wong Jo – The Handmaiden
Shia LeBouef – American Honey
Michael Shannon – Nocturnal Animals, Midnight Special
Also rans: Alden Ehrenreich – Hail, Caesar!; Simon Helburg – Florence Foster Jenkins; Aaron Taylor Johnson – Nocturnal Animals; Ben Johnson – Hell or High Water; John Malkovich – Deepwater Horizon; Patrick Stuart – Greenroom; Vince Vaughn – Hacksaw Ridge
Best Supporting Actress: Greta Gerwig – Jackie, 20th Century Women
And in alphabetical order:
Ellen Burstyn – Weiner-Dog
Viola Davis – Fences
Naomi Harris – Moonlight
Gugu Mbatha-Raw – Miss Sloane
Michelle Williams – Manchester by the Sea
Also rans: Paula Garcia – Little Men; Laura Linney – Nocturnal Animals; Hayley Squires – I, Daniel Blake
Best Director: Chan-wook Park – The Handmaiden
And in alphabetical order:
Andrea Arnold – American Honey
Peter Berg – Deepwater Horizon
Damion Chazzelle – La La Land
Barry Jenkins – Moonlight
Kenneth Lonnergan – Manchester by the Sea
Hong-Jin Na – The Wailing
Jeff Nichols – Loving
Also rans: John Carney – Sing Street; Gareth Edwards – Rogue One: A Star Wars Story; Tim Miller – Deadpool; Roar Uthaug – The Wave; Paul Verhoeven – Elle;
Best Screenplay: Kenneth Lonnergan – Manchester by the Sea
And in alphabetical order:
20th Century Women – Mike Mills
Deadpool – Tim Miller
The Handmaiden – Sarah Waters, Seo-kyeong Jeong
Hell or High Water – Taylor Sheridan
Loving – Jeff Nichols
Moonlight – Barry Jenkins, Tyrell Alvin McCartney
The Nice Guys – Shane Black, Anthony Bagarozzil
Sing Street – John Carney
Things to Come – Mia Hansen-Love
Also rans: Mike Birbiglia – Don’t Think Twice
Best Ensembles: Don’t Think Twice; Eye in the Sky; Hunt for the Wilderpeople; Manchester by the Sea; Moonlight; Sing Street
Christine – Sets, costumes
Deepwater Horizon – Second unit direction, special effects
Doctor Strange – Sets, special effects
Fantastic Beasts and Where to Find Them – Sets, costumes, music, special effects
Hacksaw Ridge – Second unit direction, special effects
The Handmaiden – Sets, costumes, music
Jackie – Sets, costumes, makeup
La La Land – Music
Silence – Cinematography
Sing Street – Music
Sully – Second unit direction, special effects
The Wave – Second unit direction, special effects
And last, but not least, well, actually, definitely least, the worst films of the year:
Absolutely Fabulous: the Movie
Allied
High-rise
It’s Only the End of the World
The Light Between Oceans
The Magnificent 7
Miss Sloane
Passengers
Silence