AND THE OSCAR GOES TO…


top-50-screenwriting-blogsFor questions: hcasner@aol.com
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Tell me what you think.
NOTE: I’m switching my prediction for Costumes from La La Land to Jackie
blog2It’s that time of the year. The Oscars are in full bloom and their attar, more pungent that car exhaust, can be recognized all across Los Angeles.
This means it’s time to start the real weeding and make my Academy Award predictions.
I will start with a few observations.
The Academy rarely selects a bad film for Best Picture. But it usually doesn’t award it to the best film of the year either. Continue reading

STRUCTURALLY UNSOUND?: Some random thoughts on screenplay structure


top-50-screenwriting-blogsFirst, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
blog3 I’m somewhat in the downtime of providing coverage for screenplay competitions (to everything there is a season, and this seems to apply to independent contractors of the script consultation kind as well). So I thought I would muse a bit on some issues in writing screenplays.
This time around, I’ll write about structure. There really isn’t a rhyme or reason to what I have to say here. It’ll just be a series of random thoughts that I hope will come in handy. These are based on my reading for contests as well as my own private consultation services.
First, an overall note. There will always be exceptions to any conclusions I make here, so consider well before automatically doing something just because I tell you to.
One of the main issues I run across is when a story is not focused enough. The plot tends to ramble on without a sturdy anchor to it or without a definite flight plan. One of the key clues to this is when you ask the writer for a log line and s/he gives you a tag line or the logline is rather longer than what is suggested, or even, and this has happened, the logline doesn’t match up to the story at all. Continue reading