“Stick this is your trophy case.” It’s November, and to paraphrase Alfred Lord Tennyson, in fall a young man’s fancy turns to thoughts of…sports, or, since one of our films is British, sport. And since we are still in quarantine, what better idea that to combine sports with prison. Sounds like the perfect time for Episode 32 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. For this episode, I am happy to welcome back a previous guest, film enthusiast, creator of the Film a Day blog, and host of the LAMBCast podcast Richard Kirkham, who has chosen the Robert Aldrich directed Burt Reynolds vehicle, The Longest Yard, and I have chosen the angry young man Tony Richardson drama, The Loneliness of the Long Distance Runner, both about sports and prisons. And in this episode we answer such questions as: What was the alternative ending for The Longest Yard? Which people associated with the movies are part of long film dynasties? What did Aldrich think of Reynolds and what did Reynolds think of Aldrich? How does James Bond and Alfred Hitchcock fit in? What is the difference between James and Edward Fox? Who started the crazy old ladies films? What is an angry young man and what do they want?
NEW EPISODE: “I live, I die. I LIVE AGAIN!” Do you sometimes think we’re on the edge of an apocalypse? That tomorrow you might wake up to a barren and dog eat dog wasteland of mass destruction? And I’m not talking America after the election. Sounds like it’s time for Episode 31 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. For this episode, I am happy to welcome back a previous guest, the host of the Cathode Ray Mission, Adam Ferenz, who has chosen George Miller’s blockbuster reimagining of the George Miller cult classic franchise Mad Max, Mad Max: Fury Road, and I have chosen L.Q. Jones cult classic adaptation of enfant terribles sci-fi author Harlan Ellison’s cult classic A Boy and His Dog, two apocalyptic films about some very strange strangers in some very strange lands. And in this episode, we answer such questions as: How does the Brady Bunch and Green Acres fit in? What did Miller steal from Ellison that led to Mad Max: Fury Road? How did Tom Hardy break his nose? How many hours of footage was there for Mad Max and how long did it take to view it? What was the controversy over the last line in A Boy and His Dog?
“It’s coming out of me like lava”. Is there some event you’ve been missing out on since the quarantine kicked in? Are you having those wedding bell blues? Are you not going to the chapel? Are you not getting married in the morning? Sounds like it’s time for Episode 30 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. For my listeners, please like, follow or comment. I’m especially looking for more reviews on iTunes and I’d love to know what you think. For this episode, I am happy to welcome two guests, actors, producers and radio hosts, Jasper Cole and Ralph Cole, Jr., who have chosen the hit marital farce that gave us the national treasure known as Melissa McCarthy, Bridesmaids, and I have chosen the art house hit from Indian filmmaker Mira Nair, Monsoon Wedding. And in this episode we ask such questions as: Does the bathroom scene hurt the film, make the film, or both? Which movie made 30 times its cost? What is the legacy of Bridesmaids? Where did the idea for Monsoon Wedding come from? Where does Miss Marple fit in? Fill in the blank: weddings are a __________? Why did Jon Hamm not get his credit?
Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block; Adaptation/Sunset Boulevard; Die Hard/District B13; American Psycho/Repulsion; Dumb and Dumber/Too Late For Tears; Get Out/Upstream Color; Galaxy Quest/The Seven Samurai; Face/Off/Mulholland Drive; The Karate Kid/Let the Right One In; Finding Nemo/The Searchers; Jaws/White Hunter, Black Heart; Constantine/The Wailing; The Blues Brothers/Silence (1971); The Goonies/The Bridge (1959); Hell or High Water/Bonnie and Clyde; The Running Man/The Most Dangerous Game; Back to the Future/La Jatee; Snatch/The Twelve Chairs; Halloween III/The 5000 Fingers of Dr. T; Jurassic Park/Frankenstein, Bride of Frankenstein and Son of Frankenstein.
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Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y
NEW EPISODE-“It’s alive! It’s alive!” Do you think there may be just a bit too much ego out there? That there are people who think they can do no wrong? That morality doesn’t apply to them? And I’m not talking about politicians and lawyers…or film directors. Just in time for Episode 29 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. This time, my guest, animater, blogger and film enthusiast Curt Headly, has chosen the Steven Spielberg blockbuster with game changing special effects, Jurassic Park, while I have chosen the timeless horror classics, a set of three, Frankenstein, Bride of Frankenstein and Son of Frankenstein, all films about scientists trying to play god. And in this episode we answer such questions as: Are these simply genre films or is there more to them that first meets the eye? How does the Age of Enlightenment and Modernism fit in? Which is the most popular dinosaur? What does North by Northwest have to do with it? What was so unsettling about the special effects in Jurassic Park? Where does Nazism fit in? What is a golem and would you want to be one?