First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
In the 1970’s Hollywood on, people were having trouble coming up with an acceptable background for villains. Critics and audiences were becoming more and more resistant to the idea that the bad guys had to be a member of a minority group.
What was a filmmaker who liked to use shorthand to create characters rather than create in-depth individual to do?
Well, George Romero gave us the living dead. Steven Spielberg gave us a shark (which is only fair since he soon took away aliens as bad guys with E.T. and Close Encounters of the Third Kind, not to return space creatures to their evil glory until War of the Worlds).
But perhaps the filmmaker we should be most grateful to is George Lucas who gave us the most villainous of all villains, the Nazi, in the Indiana Jones franchise.