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The movie seasons seems to now have settled into three periods of time. The first third is made up of the leftovers from the award season as the Oscars fast approach.
The second third is generally made up of tentpole/big studio type films with more and more counterprogramming for those more interested in independent and foreign films, and even more so as the distributors realize that there are still a lot of older filmgoers out there yet going to the theater (as well as growing niche markets for the diversity crowd).
This reverses in the final third, the months leading up to awards season, in which the distributors pull out their prestige pictures and Oscar bait films. This time the counterprogramming is for the more youthful market who tend to go to tentpole/big studio type films.
I don’t know how long this will last or what further changes will come about due to the rise of television and live streaming, but que sera sera.
And so to the point, my best of the year. Continue reading