3 WOMEN: The Unknown Girl, Battle of the Sexes, Mother!


For questions: hcasner@aol.com

First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

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Warning: SPOILERS

 

There have been many examples of siblings sharing writing, directing and even producing credits from the Maysles to the Tavianis to the Wachowskis. Perhaps the most successful pairs artistically are the Coens and the Dardennes.
However, though the Coen brothers output is often quite breathtaking with wonderful highs (Fargo, True Grit, No Country for Old Men), they are far more erratic in quality of output (Hail, Caesar!, Burn After Reading, The Ladykillers).
Few filmmakers, however, have had the consistency of Jean-Pierre and Luc Dardennes, Belgium brothers that first made their name in the U.S. with their Cannes winning film Rosetta, about a young women desperate to get employment, and they cemented their reputation with such triumphs as La Promesse, The Son, L’enfant and most recently Two Days, One Night.
Now we have The Unknown Girl, one of the finer films so far this year. Continue reading

THE RUSSIANS ARE COMING, THE RUSSIANS ARE COMING: The Equalizer


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

Warning: SPOILERS
equalizerAs I was viewing The Equalizer, the new origin film (because that is what it is; it’s not an Equalizer movie, but how the central character becomes the who you gonna call, or in this case, contact via craigslist.com, crime fighter) written by Richard Wenk (from the 1980’s television series starring Edward Woodward and created by Michael Sloan and Richard Lindheim) and directed by Antoine Fuqua and starring Denzel Washington who won the Oscar when Fuqua directed him in Training Day and…
Anyway, as I was saying, while I was watching the film, the same thought kept occurring to me:
The more things change, the more things stay the same. Continue reading