ART ISN’T EASY: Afterimage and Harold and Lillian: A Hollywood Love Story


First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
Andrzej Wajda is one of the great Polish filmmakers of our time. He gained international recognition starting in 1955 with the films A Generation, Kanal and Ashes and Diamonds, a trilogy that take place after WWII and Russia has become the occupying force.
We now have his final film Afterimage, co-written with Andrzeg Mularczyk (they also collaborated on Wajda’s penultimate film Katyn). It’s the story of an artist in 1950’s Poland who is the country’s most famous practitioner of abstract art, Wladyslaw Strzeminski. He’s also the most popular art teacher in his college-he’s the kind of lecturer that is also attended by non-students and tends to be standing room only.
But the times are not on his side. Communism has declared that non-representational art is decadent, Capitalistic propaganda, and only social realism is acceptable.

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