First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
I’m not sure what it is about America in the 1950’s, but it has become very popular as of late in film. Three movies this year that took place during the Eisenhower era have captured the fervent imagination of the audience: Carol (which I’ve already reviewed), and now Brooklyn and Trumbo.
Hm. It seems that that time period also has a penchant for titles with only two syllables as well.
The reason for this mini-Renaissance may all be due to the success of TV’s Madmen, which dramatized America’s transition from the 1950’s to the 1960’s.
Or maybe instead, “transition” is more the key word here. The 1950’s is one of the great transitional periods in our nation’s history, slowly trying to grow away from the conservation way of life of the Depression and World War II, struggling to break free so it can surge into the Summer of Love.
Ever wonder what a reader for a contest or agency thinks of your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
All the while, while watching Godzilla, the mega monster movie epic written by Max Borenstein from a story by Dave Callaham and directed by Gareth Edwards, all I could think is “where is Mystery Science Theater 3000 when you need them?”
(I remember this one moment, see, and this female MOTU, okay, she like passes over the central character, Ford Brody, and you can like see its testicular like sac carrying its eggs and everything, and, and I so wanted Crow, Tom Servo or Gypsy to call out, “Please don’t teabag me, please don’t teabag me”). Continue reading →