Artists Who Have Most Influenced My Writing

First a word from our sponsor:

Check out my Script Consultation Services at I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at

Finally, I have published a collection of three of my plays, 3 Plays, as well as two collections of short stories, The Starving Artists and other stories, and The Five Corporations and the One True Church and other stories,


For my next blog entry, I thought I would list and discuss those writers and artists that have influenced my writing. The influences have changed over the years. Some of the authors that influenced my writing when I was younger, in high school and college, say, have been replaced as I grew older and as I encountered other artists who more reflected how my view of the world had changed over the years.


I still tend to explore the same themes and issues as I did when I was just starting out. I was always asking the same questions: What is the point to everything? Is there a point? Why are we here? Why do we exist? Is there a God? How we do live life in a world that is both inherently logical and makes sense as well as inherently illogical and absurd and chaotic? Continue reading

YOU WANT ME TO READ WHAAAAAAT? A Snob’s Guide to Alternative Sources for Structure in Plotting for Screenplay and TV Writing, Part III: Night Time Soaps

First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 


Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99.


and check out my Script Consultation Services:

Also available for revising, script doctoring and ghost writing.

essay 10This is the third in a series of essays about alternative sources for structure and plotting for screenplays and television series (for earlier entry in the series, see the bottom of the essay).

By alternative, I mean sources other than the usual tomes written by the usual gurus, sources you might not immediately think about, that can be used as guides in trying to tell your story, sources that you might not have even considered of any use in this area.

The idea of writing these essays originated with the sudden rise of what is now being called a second golden age of television, as well as a paradigm shift in the way movies are made. There are now so many different ways of telling a story on television, while in movies there has been a swing away from the Hollywood/Studio type of filmmaking, that I believe thinking outside the box when it comes to finding ways to tell stories might be a wise move to make at this time.

However, before proceeding any further, I would also like to say one other thing. You may look at many of my lists and recoil at the hoity-toityness of them all and even accuse me of being a snob.

Well, what can I say? I am a snob and I’m proud of it.

But I seriously doubt it would hurt anyone’s ability to write if they let a little more snobbishness in. In fact, it might help. You never know, so give it a try.

Today I will focus on night time soaps. These are series which have continuing story lines (i.e., the stories are not fully wrapped up in one episode or even one season).   These are shows like Mad Men, Empire, Dynasty, Dallas, Downton Abbey, etc. They have several through lines, a ton of subplots and a myriad of characters (though there may be one main character that is the focal point of the story). Continue reading