THE 2015 Howies


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

lobster poster
2015 was an oddly structured year when it came to the quality of movie releases. At the same time, I’m beginning to suspect that this might just become the status quo for a while.
The first few months, until the beginning of the release of the inevitable tentpole films (around the time of Mad Max making its appearance), the theaters tended to be filled with either the previous year’s Oscar movies (which I had seen) or movies that were being dumped because their producers had lost faith in them.
carol posterIt’s not that there wasn’t some gold here and there. Movies like Predestination and What We Do In the Shadows made their presence known. But overall, it was like pulling teeth to find a decent film to go to.
Then the blockbusters hit and with a vengeance. As usual, most weren’t very good, mediocre if we were lucky. At the same time, the quality was, on average, a bit better than usual with Mad Max, Spy and The Martian leading the pack.
spy posterThen fall hit, also with a vengeance, and all the distributors inundated the movie houses with their prestige pictures, and suddenly it was safe to go back to the theater again. Not that all of these lived up to their hype (cough, Steve Jobs, cough), but overall, the year ended with a nice selection of films to choose from for a best of list.
Let me know what you think.
So here are the 2015 Howies: Continue reading

THE GOOD, THE NOT SO BAD AND THE UGLY: AFI 2015, Part 4: Married Without Children – 45 Years and Macbeth


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

Warning: SPOILERS

45 years 2

Is this the year of the older, older woman?

For some reason, a number of films have been released this year with a central character that is probably not only not in any recognized quadrant of the four that studios so dream of capturing, it’s a target audience many producers probably consider non-existent: a female in her somewhat twilight years.

These include I’ll See You In My Dreams (Blythe Danner as a widow discovering that life isn’t over by any stretch of the imagination); Grandma (Lily Tomlin as a grandmother helping her granddaughter raise money for an abortion); Youth (Jane Fonda as an aging actress desperately trying to hold on to her career); The Woman in the Van (curmudgeon Maggie Smith as…a curmudgeon in a van).

And now we have Charlotte Rampling as Kate Mercer in 45 Years, a heartbreaking and at times emotionally devastating film about a wife who has to reevaluate her more than four decade long marriage in the days leading up to her and her husband’s anniversary.

It’s a roster that perhaps is worthy of an entry in the Guinness Books. Continue reading

THE HALF YEAR OF THE WOMAN: Ida, Young & Beautiful and The Immigrant


young and beautifulI am one of those annoying movie fanatics who tend to make year end lists. You know what I mean: the top ten movies of the year, the best acting, directing, writing, etc. And if that’s not bad enough, like most people who do this, I start building that list early on such that by June, say, I have some strong possibilities as to who might make it out of the Darwinian survival of the fittest mire and who might not.
But there is something interesting happening this time round. While I already could easily have a top five or more list when it comes to female actors, I don’t have anyone I feel that strongly about for their male counterparts. So far this year, roles for women have been more interesting, more complex and more exciting than roles for men. Continue reading