POP ART: Episode 83, Knives Out/Gosford Park


POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE.

WHO DOOD IT: Join me and founder and editor in chief at For Reel, Thomas Stoneham-Judge, as we talk Knives Out/Gosford Park, two locked door, closed circle of suspects murder mysteries.

“We have the nanny cam footage.” It’s a remote mansion. Someone has been murdered. It has to be someone who is staying there. What do you do?…Sounds like it’s time for Episode 83 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. For this episode, I am happy to welcome back as my guest, founder and editor in chief at For Reel, Thomas Stoneham-Judge, who has chosen as his film Rian Johnson’s modern day locked room/closed circle of suspects murder mystery, Knives Out, while I have chosen Robert Altman’s period locked room/closed circle of suspects murder mystery, Gosford Park, both murder mysteries that take place at remote mansions with a limited number of suspects.

And in this episode, we answer such questions as: What is a locked room, closed circle of suspects murder mystery? Who did Ryan Philippe replace in Gosford Park? What does Benoit Blanc’s name in Knives Out translate as? What did Raymond Chandler say about these types of murder mysteries? Why did Robert Altman use two cameras constantly moving in every scene? Is Gosford Park a bait and switch? How did Knives Out get around the reading of the will cliche? What is the relationship between Gosford Park and Downton Abbey?

Check out Thomas’ website for ForReel at https://thisisforreel.com

Check out my blog at https://howardcasner.wordpress.com/

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

Meanwhile, like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes. On ITUNES https://podcasts.apple.com/us/podcast/pop-art/id1511098925, Anchor: https://anchor.fm/howard-casner, and Spotify https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcG , Sticher: https://www.stitcher.com/podcast/pop-art, Google Podcasts: https://podcasts.google.com/…, Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb and other streaming sites

Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

LONG DIVISION: Captain America: Civil War


First, a word from our sponsors: I have just launched the indiegogo campaign for my short film 14 Conversations in 10 Minutes. Check it out http://ow.ly/SblO3005HHu.  Below is a video sample of the short. Think about contributing (the lowest contribution is only $5.00). Please view and share anywhere and everywhere.

I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

 

Warning: SPOILERS

 

rev 1It takes a while for the new superhero movie Captain America: Civil War to reach the scene that everyone has paid their hard earned bucks to see: a knock down drag out between the two sides of the Avengers, one headed by Iron Man and one headed by the titular hero.

 

But when it gets there, it proves to be more than worth the wait.

 

Let’s just say, it ain’t your parents’ Sharks versus the Jets.

 

In fact it’s one of the wittiest and smartest over the top superhero fight scenes we are likely to see for some time.  It’s not just the dialog that is clever and earns its laughs, it’s also the way the fight plays out, which character gets pitted against which and how their superpower works against each other. There’s such a slick smoothness here, as if the planning of it was completely effortless; everything just fits together so well. Continue reading

AVENGERS ONE, SMALL DEFENSELESS EASTERN EUROPEAN TOWN, ZERO: Avengers: Age of Ultron


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
avengers ultron 1It seems that after razing New York City to the earth more than a few times, the makers of movies from Marvel comics have now decided to turn their eyes on a smaller, more defenseless municipality in the fictional Easter European nation of Sokovia, smashing it to smithereens in the new tentpole film Avengers: Age of Ultron.
And one really has to feel for this poor little town. Not only has it survived World War I, World War II and the Holocaust, the Cold War occupation (under Stalin, even) and the difficult adjustment after the fall of the USSR, it once again is going to be ravaged, this time by a man made robot with sentience.
I mean, I don’t know what this city did to piss off writer/director Joss Whedon, but it must have been really something. It really gets the shit kicked out of it.
The basic premise of …Ultron is that age old trope of this is what happens when man tries to play god. In this variation on the theme, Tony Stark creates an AI to protect humankind from dangers of all kinds. But in true Colossus: The Forbin Project fashion, Ultron, the AI, very quickly, and probably very wisely and logically, realizes that humankind is most in danger from, well, itself and decides to take over to save us from us. Continue reading

CUT THE CRAP: Snowpiercer


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Warning: SPOILERS
snowpiercerThere is one clever and rather effective scene in Snowpiercer, the new movie about a train containing all the survivors of a global warming apocalyptic event that travels the world and can never stop.
Just as a battle royale is about to erupt, everyone is ordered to stop and wait while some of the participants count down from ten as the train passes over a certain bridge, a bridge the train passes over only once annually, meaning that it’s, wait for it…yes, New Years.
Once the countdown is over, it’s back to the bloodshed.
But outside of that, I’m sorry, but I have to say…no, you know what? I’m not sorry.
Snowpiercer is crap.
  Continue reading

THRILLS BOTH CHEAP AND EXPENSIVE: Cheap Thrills and Captain America: The Winter Soldier


Cheap_Thrills_39320In the 2012 drama, Compliance, Pat Healy played a sociopath pretending to be a police officer who manipulates the workers at a fast food restaurant into do some pretty disgusting things (and I don’t mean to the food, though from what I understand, fast food workers wouldn’t need much manipulation for that in the first place).
In his newest movie, Cheap Thrills, he’s on the opposite side of the fence, playing a poor schnook being manipulated into doing disgusting things by a pair of sociopaths. Continue reading