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When I was young, I tended to not favor DC Comics, but gravitated toward those of the Marvel variety. This is because as a barefoot boy with cheek I never really fit in, was an outsider, so I found the Marvel universe, with its conflicted superheroes and conflicted supervillains, to be more reflective as life as I saw it.
Spiderman was especially someone I could identify with and why Spider-Man: Homecoming is the best Spidey film because it most closely mirrored what my life at school was like.
This approach, which often drives the movies based on Marvel characters, is why I have usually found these films, even the subpar ones, better than the DC ones, with a couple of exceptions (The Dark Knight Rises).
And now next in line is Thor: Ragnorak, which I think is most economically described as simply a ton of fun and perhaps the second best comic book movie of the year (for those keeping score, it’s Logan, then Thor, followed by Wonder Woman, Spider-Man and Guardians of the Galaxy). Continue reading →
First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
It seems that after razing New York City to the earth more than a few times, the makers of movies from Marvel comics have now decided to turn their eyes on a smaller, more defenseless municipality in the fictional Easter European nation of Sokovia, smashing it to smithereens in the new tentpole film Avengers: Age of Ultron.
And one really has to feel for this poor little town. Not only has it survived World War I, World War II and the Holocaust, the Cold War occupation (under Stalin, even) and the difficult adjustment after the fall of the USSR, it once again is going to be ravaged, this time by a man made robot with sentience.
I mean, I don’t know what this city did to piss off writer/director Joss Whedon, but it must have been really something. It really gets the shit kicked out of it.
The basic premise of …Ultron is that age old trope of this is what happens when man tries to play god. In this variation on the theme, Tony Stark creates an AI to protect humankind from dangers of all kinds. But in true Colossus: The Forbin Project fashion, Ultron, the AI, very quickly, and probably very wisely and logically, realizes that humankind is most in danger from, well, itself and decides to take over to save us from us. Continue reading →