AMAZON WOMEN ON THE EARTH: Wonder Woman


For questions: hcasner@aol.com
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
When the film Logan opened, I told all my friends I didn’t want any shit anymore about how depressing Manchester by the Sea is.
But that was just the beginning. It seems the world of comic book as escapist fare in film may be seeing its dying days as the genre seems to be getting darker and darker and ideas of right and wrong seem to be getting more and more ambiguous.
In many ways this began perhaps with The Dark Knight Rises, which is not your mother’s Batman or a generation’s raised on the over the top camp (if that’s not redundant) of the Adam West TV take on Gotham’s guardian.
But as of late, we’ve had Rogue One: A Star Wars Story in which a group of people, almost all of whom die at the end, use morally ambiguous means to prop up a Menachian religion. And then the emotionally devastating Logan in which a group of people, almost all of whom die, don’t worry about morality as they fight off a great evil. Continue reading

MANLY MEN: The Finest Hours and Mojave


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev 1The story of The Finest Hours, based on a true one the screen tells us, takes place in 1951, which is probably apropos since whatever else the movie is, it’s certainly good old fashion entertainment.
It’s a movie in which men have to do what men have to do and their strong independent minded women also serve by sitting and waiting. It’s a movie that if it were done in odorama or smellovision, testosterone would be the fragrance of choice. It’s a movie so Howard Hawksian, you can’t help but wonder what that great director might have achieved with state of the art CGI.
But perhaps most important than all of that is that The Finest Hours is rollicking, edge of your seat fun. Yes, it’s formulaic and predictable (you can see the tropes coming a mile, or knot, off), but here it’s so well done, with such sincerity and heart, that the familiarity just makes it more enjoyable. And if that’s not enough, it has enough chills, thrills and nail biting suspense for ten movies. Continue reading