First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
My recommendations for movie watching this week in L.A. 6/10-6/17/201
A change here. I now also have HBONOW and Amazon, as well as Netflix and Hulu, so I will be rotating these from now on.
ON NETFLIX: Cold in July, written by Nick Dimici and the director Jim Mickle, is a very clever and effective neo noir with great performances by Sam Shepard and especially Don Johnson, who steals the show. A mild mannered family man shoots an intruder and it turns out he was wanted for other crimes. But the family man discovers this might not be true. One of the best films of its year.
ON HULU: Night on Earth is a portmanteau film from writer/director Jim Jarmusch. It dramatizes five different cab rides in five different locations on earth. The stand out is probably Roberto Benigni who picks up a priest late one night in Rome.
FIRST RUN and OPENING: De Palma, King Jack, Diary of a Chambermaid, The Fits, Therapy for a Vampire, The Conjuring 2, The Wailing, Chevalier, The Idol, The Nice Guys, Love and Friendship, Jimmy Vestvood: Amerikan Hero, The Measure of a Man, The Lobster Continue reading →
Ever wonder what a reader for a contest or agency thinks of your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Ofttimes of late, and not so late, I get into a discussion/ argument/ knock down drag out fight as to whether the director or the screenwriter is more important to the success of a movie, or even to the existence of a movie. The conflict usually boils down to which is more important, the visual or written aspects.
It’s a silly argument, at least it should be, because the answer is that both are important and neither should be denigrated (and are often so intermingled that you can’t even tell what part of the film resulted from one over the other). It’s a pretty obvious conclusion, though you’d be surprised as to how many people don’t go for the obvious. Continue reading →