My recommendations for movie watching this week in L.A. 9/11-9/18/2015


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My recommendations for movie watching this week in L.A. 9/11-9/18/2015
dear white peopleON NETFLIX: Writer/director Justin Simien’s Dear White People is a funny, witty, tongue in cheek, but not really, look at racism in a “post-racist” society. Four black students, one gay, navigate the difficulty of a majority white Ivy League college and what happens when some white students throw a black face party. Taylor James Williams, Everybody Hates Chris’ Chris; Tessa Thompson; Kyle Gallner; Teyonah Parris; and Brandon P. Bell help make up the first rate ensemble cast. One of the best films of 2014.
carnivalON HULU: Jaques Feyder and Bernard Zimmer’s 1935 comedy Carnival in Flanders is an absolutely delightful and incredibly beautiful film set in 1616 Flanders when a Spanish Duke and his army decide to spend the night in a small Flemish town. Terrified the village will be pillaged, the woman raped and the men killed, the menfolk panic and the mayor pretends to be dead, leaving it to the women of the village, led by the mayor’s wife, to take over and save the day, using their feminine wiles. With breathtaking cinematography inspired by the great Flemish painters and incredibly sumptuous costumes and sets (built in a suburb of Paris), plus a cast of thousands, including Francoise Rosay as the mayor’s wife (she was married to Feyder and was in a number of his films). Wonderful.
goodnight mommy 2FIRST RUN and OPENING: Goodnight Mommy, Steve Jobs: The Man in the Machine, Coming Home, The Visit, Dope, Grandma, Straight Outta Compton, Mistress America, Diary of a Teenage Girl, The Second Mother Continue reading

MINORITY REPORT: Dear White People, The Way He Looks and the “other” in movies


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

Warning: SPOILERS

 

dwp oneThose who make films that appeal to niche markets in some way (by niche, I mean specific audiences of some sort: gay, black, Hispanic, female, etc.) have a good news/bad news issue in moviedom.
The good news is that they have a preset group of people who are inherently more interested in seeing the movie because it is about them and their lives.
The bad news is that they have a preset group of people who are more inherently interested in seeing the movie because it is about them, but it is very difficult to convince anyone outside of that niche to buy tickets because they assume the movie can’t possibly have anything to say to them since it is about the “other” in their lives.
Which is why blockbuster movies often appeal to young straight white males, and many mainstream films that have a niche component, i.e. concerns in some way the other, either have a non-other central character (Cry Freedom, Glory) or if the central character is an other and can’t be gotten around, they surround him with non-other characters (Gandhi, 12 Years a Slave). Continue reading