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I’m not sure what it is about America in the 1950’s, but it has become very popular as of late in film. Three movies this year that took place during the Eisenhower era have captured the fervent imagination of the audience: Carol (which I’ve already reviewed), and now Brooklyn and Trumbo.
Hm. It seems that that time period also has a penchant for titles with only two syllables as well.
The reason for this mini-Renaissance may all be due to the success of TV’s Madmen, which dramatized America’s transition from the 1950’s to the 1960’s.
Or maybe instead, “transition” is more the key word here. The 1950’s is one of the great transitional periods in our nation’s history, slowly trying to grow away from the conservation way of life of the Depression and World War II, struggling to break free so it can surge into the Summer of Love.
First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
I’m not really sure what to say about the new independent movie I’ll See You In My Dreams, written by Marc Basch and Brett Haley and directed by Haley, except that it is quite a lovely, little film filled with acute observations about life as one enters one’s golden years.
Is that enough for a film these days? I don’t know. But in this particular case, I found it more than ample.
The movie is basically a character study of one Carol Peterson (Blythe Danner). In her young life she was a singer (she has one of the best explanations for why she is one no longer: “One day I was in a band and one day I wasn’t”). She got married and became a teacher, had a daughter, and then her husband died, allowing her to retire on more than comfortable means. Continue reading →