POP ART: Episode 46, Do the Right Thing/Les Miserables


 THE RACE IS ON: “Wake up, Wake up, Wake up.” Black Lives Matter. Antifa. Breonna Taylor. George Floyd. January 6th. Sounds like it’s time for Episode 46 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. This time, I am happy to welcome producer/director Martina Silcock who has chosen the controversial and game changing Spike Lee joint Do The Right Thing, and I have chosen the astounding first feature by French filmmaker Ladj Ly, Les Miserables, both about racial tensions that explode in a single neighborhood leading to acts of violence and a riot.

And in this episode, we answer such questions as: What are the source materials for each film? Who did Spike Lee want for Sal first? What happened at Cannes and the Oscars? How does Parasite fit in? How does the Twilight Zone fit in? Are the endings satisfactory? What movie did Michelle and Barak Obama see on their first date?

Check out Martina’s IDMB page at https://www.imdb.com/name/nm3697341/?ref_=nv_sr_srsg_0

Check out her films at:

Lines in the Sand: https://www.amazon.com/Lines-Richardson-Michael-Gilroy-Kerensa/dp/B01N14BWH5/

The Nest Egg: https://www.youtube.com/watch?v=QIWcjZE-vSM&t=360s

Mogul Mowgli: https://www.mogulmowgli.co.uk/

Her site: http://www.notthetennisplayer.com/

A site for underrepresented groups: https://www.lookbeyondthelist.com/

And keep a look out for Pig, starring Nicholas Cage Continue reading

PROLOGUE TO GLORY: Southside With You and Sully


For questions: hcasner@aol.com
First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev-1Some are born great, some achieve greatness, and some have greatness thrust upon them.
                                                            Twelfth Night, William Shakespeare
When Pauline Kael reviewed Abel Gance’s Napoleon, she talked, somewhat negatively, of Gance’s approach to the future emperor. She said something to the affect that when Napoleon is an adult, Gance treats him as a man of destiny; when the subject is young and in school, he’s presented as a child of destiny.
This isn’t an unusual way to approach biopics of famous people; treating them as archetypes, rather than human beings like anyone else one might meet on the street, an approach closer to what George Bernard Shaw tried to do in such works as Caeser and Cleopatra and St. Joan.
But even Shaw’s plays seem more like the Fast and Furious franchise when compared to Southside With You, the chronicling of an early and ordinary day in the life of two people who later became two of the most powerful people in the world. Continue reading