LONG DIVISION: Captain America: Civil War


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Warning: SPOILERS

 

rev 1It takes a while for the new superhero movie Captain America: Civil War to reach the scene that everyone has paid their hard earned bucks to see: a knock down drag out between the two sides of the Avengers, one headed by Iron Man and one headed by the titular hero.

 

But when it gets there, it proves to be more than worth the wait.

 

Let’s just say, it ain’t your parents’ Sharks versus the Jets.

 

In fact it’s one of the wittiest and smartest over the top superhero fight scenes we are likely to see for some time.  It’s not just the dialog that is clever and earns its laughs, it’s also the way the fight plays out, which character gets pitted against which and how their superpower works against each other. There’s such a slick smoothness here, as if the planning of it was completely effortless; everything just fits together so well. Continue reading

…and All That Jazz: Miles Ahead and an Oscar Prediction


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev 1Miles Ahead is the new biopic of Miles Davis, one of the great, if not the greatest, jazz trumpeter and composer of all times. It’s written by Steven Baigelman and the director and star Don Cheadle.  The filmmakers do everything they can, from non-linear storytelling to all sorts of directorial flourishes, to keep the audience enthralled.
And they succeed, at least for a while.  Flashbacks, jump cuts and various stylistic juxtapositions that feel inspired by jazz music, give the film a certain electric immediacy.
But it’s not long before it feels that all this tinsel and sawdust is, well, not a lot more than tinsel and sawdust, there to hide the fact that in the end, the movie, though often entertaining, is really just another, as I and a friend like to call it, typical Warner Brothers biopic, the reference being the prestige pictures of the studios made in their heydays, like The Story of Louis Pasteur, The Life of Emil Zola and even more recently, Gandhi.  All worthy, but all still somewhat bland. Continue reading