MAN ON THE VERGE OF A NERVOUS BREAKDOWN: Birdman (or the Unexpected Virtue of Ignorance)


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Warning: SPOILERS
birdmanMichael Keaton’s career has been what I would call somewhat unusual. He hit his stride early with the movie Beetlejuice and Clean and Sober and then was cast as Batman (and today is still many people’s favorite wing man). He looked like an actor on the rise.
Then after that? Well, I’m not sure how to describe it, but he seemed to do whatever he could to not go the way of fellow thespians like Jim Carrey and Adam Sandler, constantly required to star in the same kind of over the top, often obnoxious comedies that made fortunes at the box office (at least for a time) while trying to make more “meaningful” films on the side.
Instead, Keaton seemed to flee iconic roles and try to define himself as a more serious performer. But in the years since those early parts, it felt more like he was trying to find characters to play that would define him as an actor, rather than succeeding in actually reinventing himself. Continue reading

PEOPLE COME, PEOPLE GO. NOTHING EVER HAPPENS: The Grand Budapest Hotel


grand-budapest_2813768bThe Grand Budapest Hotel, the new demi-farce written by Wes Anderson and Hugo Guinness and directed by Anderson, is like a box of chocolates.  The outside is lovely to look at, even entrancing, and when you open it up, the chocolate itself gleams with droolful anticipation.
And then you bite into one and sometimes you get the deep, rich double chocolate you have always dreamed of, and sometimes you get the sour cherry cream (or whatever ingredient you consider to be the one you grimace at and throw back in the box after taking one quick bite). Continue reading