EXUENT PURSUED BY A BEAR: The Revenant and Anomalisa


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
revenant 3The Revenant is, perhaps, one of the most visceral movies you will see in some time. Everybody involved, from the technicians to the designers to the screenwriters (Mark L. Smith and Alejandro Gonzales Inarritu from a novel by Michael Punka), to the director (Inarritu) seemed to have gone out of their way to give the movie a feeling of verisimilitude that can be matched by few films.
The dirty bodies and clothes and rotting teeth (you can almost smell the bad breath); the zip of an arrow through a man’s throat; the blood flowing from wounds made by knifes, bullets and hatchets; and the never ending harsh environment of snow and icy rivers (I almost caught the flu) are all paraded proudly for public consumption.
This is probably best demonstrated with what may now be the infamous bear attack scene in which our hero (Hugh Glass, played very bravely and stoically by Leonardo DiCaprio) is mauled, bitten and strewn all over the place by a mama grizzly fearing for her cubs. It’s an amazing bit of filmmaking and in many ways deserves all the praise it has earned.
And it goes on for a very long time. Continue reading

MAN ON THE VERGE OF A NERVOUS BREAKDOWN: Birdman (or the Unexpected Virtue of Ignorance)


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

Warning: SPOILERS
birdmanMichael Keaton’s career has been what I would call somewhat unusual. He hit his stride early with the movie Beetlejuice and Clean and Sober and then was cast as Batman (and today is still many people’s favorite wing man). He looked like an actor on the rise.
Then after that? Well, I’m not sure how to describe it, but he seemed to do whatever he could to not go the way of fellow thespians like Jim Carrey and Adam Sandler, constantly required to star in the same kind of over the top, often obnoxious comedies that made fortunes at the box office (at least for a time) while trying to make more “meaningful” films on the side.
Instead, Keaton seemed to flee iconic roles and try to define himself as a more serious performer. But in the years since those early parts, it felt more like he was trying to find characters to play that would define him as an actor, rather than succeeding in actually reinventing himself. Continue reading