ROGUE ONE, PASSENGERS ZERO: Rogue One: A Star Wars Story and Passengers


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Warning: SPOILERS
rev-1In film, Sci-Fi has often been divided into two categories: adult science fiction, stories that capture the mind and are more philosophical and questioning in nature; and pop culture Sci-Fi, stories that are more escapist and less challenging where the grey cells are concerned.
Perhaps no better year can define this dichotomy than 1977 when the original Star Wars was released the same year as Close Encounters of the Third Kind.
Critics often claim, or have a prejudice, that adult sci-fi is inherently superior or preferably to pop culture sci-fi. And I do have to admit, if truth be forceably told, I tend to prefer the former to the latter. But there is never a guarantee that one is going to be better than the other. In fact, in the end, the one that is better is simply the one that is better, and the reason why it is better is because, when all is said and done, it’s the, well… better one. Continue reading

REEL MEN, REAL MEN, PART TWO: Mr. Turner, Saint Laurent and The Theory of Everything


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

Warning: SPOILERS
mr turnerI continue now with my reviews of the sudden spate of movies based on real people that are arriving late in the year because, well, we’re entering awards season, and what awards season would be complete without an overabundance of inspired by true event stories.
First up…
Early on in Mr. Turner, writer/director Mike Leigh’s latest film about the famed 19th century land- and seascape artist, his servants prepare a pig’s head for a meal.
What is so interesting about this, and the reason I draw attention to it, is that the porcine’s pate bears a remarkable resemblance to the great painter himself with the artist constantly snorting and grunting as if Babe was his mother (or father, I can’t remember whether that famed shoat was a boar or a sow).
In fact, one might say that, Timothy Spall, a member of Leigh’s stock company of actors and who plays the title character here, does one of the greatest, if not greatest, imitation of a sus scrofa domesticus I’ve ever encountered in cinematic history. If someone is planning a remake of Animal Farm, I think we have our Old Napoleon.
It may be a dubious distinction, but a distinction none the less.

Continue reading