AMAZON WOMEN ON THE EARTH: Wonder Woman


For questions: hcasner@aol.com
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
When the film Logan opened, I told all my friends I didn’t want any shit anymore about how depressing Manchester by the Sea is.
But that was just the beginning. It seems the world of comic book as escapist fare in film may be seeing its dying days as the genre seems to be getting darker and darker and ideas of right and wrong seem to be getting more and more ambiguous.
In many ways this began perhaps with The Dark Knight Rises, which is not your mother’s Batman or a generation’s raised on the over the top camp (if that’s not redundant) of the Adam West TV take on Gotham’s guardian.
But as of late, we’ve had Rogue One: A Star Wars Story in which a group of people, almost all of whom die at the end, use morally ambiguous means to prop up a Menachian religion. And then the emotionally devastating Logan in which a group of people, almost all of whom die, don’t worry about morality as they fight off a great evil. Continue reading

THE THRILLERS OF IT ALL, PART DEUX: Furious 7 and Kumiko, The Treasure Hunter


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
furious 7Okay, I admit it. It got me. Furious 7, the latest entrée in the fast car, not so fast women (the film is surprisingly family focused) franchise, and its tribute to the late Paul Walker brought more than a wee tear to my eye.
How could it not?
However, before I go into any more detail here, full disclosure: I have never seen a Fast and Furious movie before.
That’s right. Zip. Nada. Not a single one.
So, take that into account before taking seriously anything I have to say.
Furious 7 is, well, let’s face it: it’s ridiculous, often cheesy, over the top, clunky.   In fact, one could make a sound argument that it’s really not a very good film at all.
Still, it’s a ton of fun. It more than gets the adrenaline going. It has so much electric energy that if someone had a heart attack in the theater, the movie alone could get the organ pumping again. Continue reading