ROGUE ONE, PASSENGERS ZERO: Rogue One: A Star Wars Story and Passengers


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Warning: SPOILERS
rev-1In film, Sci-Fi has often been divided into two categories: adult science fiction, stories that capture the mind and are more philosophical and questioning in nature; and pop culture Sci-Fi, stories that are more escapist and less challenging where the grey cells are concerned.
Perhaps no better year can define this dichotomy than 1977 when the original Star Wars was released the same year as Close Encounters of the Third Kind.
Critics often claim, or have a prejudice, that adult sci-fi is inherently superior or preferably to pop culture sci-fi. And I do have to admit, if truth be forceably told, I tend to prefer the former to the latter. But there is never a guarantee that one is going to be better than the other. In fact, in the end, the one that is better is simply the one that is better, and the reason why it is better is because, when all is said and done, it’s the, well… better one. Continue reading

OF GODS AND MONSTERS: Godzilla and X-Men: Days of Future Past


Ever wonder what a reader for a contest or agency thinks of your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
godzilla-2014-movie-screenshot-old-monsterAll the while, while watching Godzilla, the mega monster movie epic written by Max Borenstein from a story by Dave Callaham and directed by Gareth Edwards, all I could think is “where is Mystery Science Theater 3000 when you need them?”
(I remember this one moment, see, and this female MOTU, okay, she like passes over the central character, Ford Brody, and you can like see its testicular like sac carrying its eggs and everything, and, and I so wanted Crow, Tom Servo or Gypsy to call out, “Please don’t teabag me, please don’t teabag me”). Continue reading