MY INTERVIEW WITH ANN KIMBROUGH ON HER YOUTUBE SHOW SCREENWRITERS BEAT


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

On Saturday, July 26, I was interviewed by Ann Kimbrough on her YouTube show Screenwriters Beat.  It was a great interview and I had a lot of fun.  We covered such topics as my book (of course–see left), as well as some strategies for new screenwriters and what they can do to become better known and get their scripts more recognized.
Here it is.  Check it out and let me know what you think.

 

 

 

 

 

IS THERE A BATTLE FOR THE SOUL OF SCREENPLAY COMPETITIONS: BONUS ROUND


UntitledFirst, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

I really didn’t envision writing a fourth part to this series. I really thought I was done with it after my last entry. But my essay provoked a very intelligent and lengthy discussion on social media and I decided that perhaps there was indeed more to say.

 

FIRST, SOME HISTORY (OR AS WE SAY IN THE STATE OF THE ART: THE BACK STORY)
My original thesis is that the idea of saleability, commerciality and marketability (heretofore s/c/m) of a screenplay was creeping more and more into determining who would win or at least make their way to the forefront of screenplay competitions.

 

But since I wasn’t sure anymore that screenplays are always bought and sold and made into movies the way they once were, and that, in fact, new ways of financing and making films are appearing every day, it was my contention that screenplay competitions should reflect that change and not necessarily get caught up in choosing winners based on whether someone or some company or some something will buy them or not. Continue reading