POP ART: Episode 20, Jaws/White Hunter, Black Heart


NEW EPISODE: “We’re gonna need a bigger boat.” Feeling a bit bored? Need some outside activity? Maybe you should take up hunting? If so, who would you want helping you? John Wilson or Quint? Sounds like the time for Episode 19 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. This time, my guest, writer and filmmaker Steve Wise (the award winning Sur’vi, soon to be seen on Amazon), has chosen the Steven Spielberg game changing summer blockbuster Jaws, while I have chosen the Clint Eastwood movie nobody has seen or heard of, White Hunter Black Heart, both with stories about characters obsessed with hunting down wild beasts. And in this episode, we’ll answer such questions as: Why is the shark named Bruce? What did the IRS have to do with the casting? Who was supposed to originally play Quint? Why doesn’t Hooper die in the film? Why is Clint Eastwood so good in WH, BH? Who plays Humphrey Bogart and Katherine Hepburn? Has Clintwood ever lost a fight in his movies? And may more. And don’t forget to check out Steve’s website at https://stephenjwise.com/?fbclid=IwAR0zlhdz9uw02JPLQ9zdwQPr7fszNUZd5usKsGtakWBluEbjMTP-5Nkb7x8 and company page at http://realitycheckent.com/?fbclid=IwAR1QeY1zK8OnPdOVs82DOe5BU1uiONNHXmrOCvcU–AtlUttMIhFaw8-sAE

And listen to other episodes as well as comment on and follow ON ITUNES AND PODOMATIC. https://podcasts.apple.com/us/podcast/pop-art/id1511098925 and https://hcasner65579.podomatic.com/, as well as iheartradio: https://www.iheart.com/podcast/269-pop-art-65365716/, Sticher: https://www.stitcher.com/podcast/pop-art Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw , Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block; Adaptation/Sunset Boulevard; Die Hard/District B13; American Psycho/Repulsion; Dumb and Dumber/Too Late For Tears; Get Out/Upstream Color; Galaxy Quest/The Seven Samurai; Face/Off/Mulholland Drive; The Karate Kid/Let the Right One In; Finding Nemo/The Searchers.

 

Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

TOP OF THE WORLD, MA: THE MOST IMPORTANT MOVIES EVER MADE


Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF

     Though my blog entries of late have focused mainly on various screenwriting issues, this new one may not feel of immediate significance to those who ply the cinematic trade.
     And I can’t say such naysayers are wrong.
     But it’s an essay I’ve wanted to write for some time now. It may not tell you how to write a screenplay, but it may give you some insight into the history of film and where we came from and perhaps where we are going.
      The topic, as the title suggests, is a list of the most important films ever made. Continue reading

SUBTEXT: THAT PASSIVE/AGGRESSIVE FRIEND YOU HATE, BUT CAN’T DROP or WE’RE GOING TO NEED A BIGGER BOAT


For questions: hcasner@aol.com

First, a word from our sponsors: My short film 8 Conversations in 15 Minutes 58 Seconds will premiere at STUFF, the South Texas Underground Film Festival on January 27th, 2019 http://www.stuftx.org/

Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF

    This is the second in a series of articles on various screenwriting topics. Further entries will include exposition, voice overs and passive central characters. The previous entry was on diversity in film.

On facebook and a myriad of other places, people put forth various requisites or must haves, do’s and do nots, they claim are needed to write, if not a great screenplay, at least a perfectly serviceable one.

One of the most popular ones is subtext. Now, I prefer writers not worry about things like this, at least at first. I’m on the side of the angels who say, concentrate on writing a good story that is successful on its own terms and if it has subtext, good, if not, good. I mean why tamper when you’ve got a good thing going?

I prefer elements like subtext to grow organically out of the writing, not be foisted upon it. Still, if you are receiving constant feedback that your dialog is too on point, or that the reader feels as if they are being told how to feel, rather than being allowed to feel, you may need subtext, taken four times a day on an empty stomach.

One problem with subtext is that everyone seems to know what it is, but have difficulty coming up with a clear, concise and satisfactory definition that everyone agrees with. It’s like art: no one can define it, but they all know it when they see it. Continue reading