WHAT THE WORLD NEEDS NOW IS LOVING, SWEET LOVING: Loving and Yourself and Yours


For questions: hcasner@aol.com
First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev-1You can almost hear the people in the marketing meeting breathe a sigh of relief when it comes to titling the new film, the true story of a couple from different races who got married and were arrested for it.
“Oh, my god”, says one. “It’s about this couple who love each other against all odds. And their real names are, wait for it…Loving. It’s like this stuff writes itself.”
Social problem movies, especially those based upon true events, are not my favorite. Films like Gentlemen’s Agreement and Judgment at Nuremberg are often shallow, when they’re not being preachy and on the nose and told with little imagination. And the message sometimes seems a little warped (is the theme of Gentlemen’s Agreement that Jews should not be persecuted, or that people should not pick on Jews because they might be gentiles in disguise). Continue reading

NEW FILMMAKERS SEE THIS FILM: Midnight Special


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev 2Midnight Special, the new neo-noir/sci-fi film, opens at night with a throbbing music score backed by hypnotic drums.  It grabs you by your neck and just won’t let go for the next ninety minutes.  At first, the story seems to be about the abduction of a little boy, but it soon becomes clear that it’s much more complicated than that.  The boy was adopted by the leader of a religious cult that makes its base in a private compound in Texas and the ones who have taken the boy from them is the boy’s biological father and the father’s closest friend.
So what is really going on and why do so many people treat this child as if the future of the human race depended on him?  And why are the FBI after him as well?
Midnight Special is the sort of film every aspiring screenwriter, director and producer should be seeing, but I often suspect aren’t.  It should be studied and emulated. That is, if you really want a future in the industry, whether your goal is the tent pole films of a major studio, or the more personal films that one sees on the independent circuit. Continue reading