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There have been many examples of siblings sharing writing, directing and even producing credits from the Maysles to the Tavianis to the Wachowskis. Perhaps the most successful pairs artistically are the Coens and the Dardennes.
However, though the Coen brothers output is often quite breathtaking with wonderful highs (Fargo, True Grit, No Country for Old Men), they are far more erratic in quality of output (Hail, Caesar!, Burn After Reading, The Ladykillers).
Few filmmakers, however, have had the consistency of Jean-Pierre and Luc Dardennes, Belgium brothers that first made their name in the U.S. with their Cannes winning film Rosetta, about a young women desperate to get employment, and they cemented their reputation with such triumphs as La Promesse, The Son, L’enfant and most recently Two Days, One Night.
Now we have The Unknown Girl, one of the finer films so far this year. Continue reading