WHERE’S THE REST OF ME: The Signal and Night Moves


First, a word from our sponsors.  Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Warning: SPOILERS
Signal_Two movies have opened that seem to have never heard of the rule that today your screenplay must begin with a grabber scene, it simply has to. You know, something that happens in the first ten pages that attacks the face and thrusts its whatever it was down your throat like that creature in Alien?
Instead the filmmakers seem to feel that the slow build, the taking the time to create context for the characters and the situation, the use of an approach that invites us along for the ride rather than assaults us, is the more effective way to go.  Wow, what a concept. Continue reading
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TEENANGSTERS AND DOPPLEANGSTERS: Palo Alto and The Double


Palo-AltoPalo Alto is about teenage angst and existential ennui, just like the Twilight series, but without the werewolves and vampires, though almost as painful to get through (sorry, but it’s true).
The story revolves around three teens: April (Emma Roberts), Teddy (Jack Kilmer) and Fred (Nat Wolf) who are going through the throes of finding themselves. Unfortunately, the throes they are going through are pretty much the same throes that millions of other movie teens have pretty much gone through in millions of other movies before this and dramatized in pretty much the same way as those millions of others that came before as well. Continue reading