THE EAST IS EAST AND THE WEST IS WEST: Woody Allen’s Café Society


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I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
rev 1In Woody Allen’s most recent attempt at making himself forget that he will have to die one day, or as it’s called in the state of the art, his latest film, Café Society, about a young man, Bobby (Allen stand in Jessie Eisenberg), who goes out to the West Coast to see if he wants to make a future there, the camera often glides around a scene with all the grace of Sonja Henri, even at times so smoothly it left me a little dizzy. I can’t remember the last time I saw Allen’s camera flow as much as it does here. Often of late, his camera feels as if it were following the old saying, what you see is what you get.
Its appearance was so refreshing at the beginning of the film, it had me hoping for something more than a typical 21st Century Woody Allen movie. But alas, though not a terrible night at the cinema, Café Society is only intermittently successful. Continue reading

A TALE OF TWO JESSES: American Ultra and The End of the Tour


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
american ultra 1I’ve always had mixed feelings about the actor Jesse Eisenberg. His stuttering performances, his “gee gosh” can’t look you in the face acting technique, his off beat visage, have actually, if I must be honest, and I guess I must, I must, put me off at the beginning and often quite annoyed me.
And, as I also said to my friends: Aren’t Jesse Eisenberg, Michael Cera and Paul Dano actually the same person? I mean, have you ever seen them in a room together?
As time has gone on, as time is want to do, as we know from Casablanca, and as Eisenberg has made more and more interesting choices in film roles (from The Squid and the Whale to The Social Network to Night Moves to The Double), he’s sort of won me over and I even look forward to his next endeavor.
Well, his next endeavor, nay, endeavors, we now have, and they come in the form of two new films: American Ultra and End of the Tour.
American Ultra is about a slacker, stoner Peter Pan, called Mike, who works at a convenience store in a small town that he can’t seem to leave because he has an agoraphobic reaction whenever he tries. He lives with a long suffering girlfriend Phoebe who he has decided to ask to marry him. But something happens that causes his best laid plans to go awry. Continue reading