BURN, BABY, BURN: Detroit


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First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
Two movies have opened within two weeks of each other, both by recognized filmmakers and both based on actual events.
However, apart from the fact that their titles are single words of two syllables each beginning with the letter “D”, the two couldn’t be more different in approach, tone and style.
One is writer/director Christopher Nolan’s Dunkirk and the second, more recently, is writer Mark Boal’s and director Kathryn Bigelow’s Detroit.
And though Nolan’s movie is a masterful piece of filmmaking, impressive and even ultimately quite moving, it is ferociously put to shame by Boal and Bigelow’s Detroit. Continue reading
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PASSING THE LIGHTSABER: Star Wars: The Force Awakens


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

Warning: SPOILERS

 

 

sw 3The new Star Wars film (Star Wars: the Force Awakens to be exact) has a simple theme: the only thing that can stop a bad guy with the force is a good guy with the force.

All in all, I would have to say that this new entry in the franchise is both better than the original Star Wars and not as good as the original Star Wars.

It’s better acted than what is now known as A New Hope; the dialog is a bit more pithy and witty; the characters are somewhat less one-dimensional; and the special effects less cheesy.

But there’s one thing the original space opera had that the new one doesn’t, can’t and will never have. Continue reading