IT’S A DISASTER: 10 Cloverfield Lane and The Wave


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
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Warning: SPOILERS

 

rev 110 Cloverfield Lane is a somewhat awkward mating of two genres: the women in danger film (aka, a female thriller) and an alien invasion film.
What’s so surprising is that despite the clunkiness of said mating, the movie is very enjoyable and more or less works on its own terms.
The basic premise here revolves around a young woman who leaves her boyfriend for reasons unknown and on her way to wherever it is she is going, if she’s actually going somewhere, her car is broadsided and goes over the side of the road. She loses consciousness only to wake up in an underground bunker replete with a conspiracy theorist who claims that America has been attacked and they may be the only survivors.
Is he crazy? Is he telling the truth? Or is he both? Continue reading

PERIOD PIECE: 1950’s America, Brooklyn and Trumbo


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 

 

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

and check out my Script Consultation Services: http://ow.ly/HPxKE

Warning: SPOILERS

brooklyn 2I’m not sure what it is about America in the 1950’s, but it has become very popular as of late in film. Three movies this year that took place during the Eisenhower era have captured the fervent imagination of the audience: Carol (which I’ve already reviewed), and now Brooklyn and Trumbo.

Hm. It seems that that time period also has a penchant for titles with only two syllables as well.

The reason for this mini-Renaissance may all be due to the success of TV’s Madmen, which dramatized America’s transition from the 1950’s to the 1960’s.

Or maybe instead, “transition” is more the key word here. The 1950’s is one of the great transitional periods in our nation’s history, slowly trying to grow away from the conservation way of life of the Depression and World War II, struggling to break free so it can surge into the Summer of Love.

And it all happened under a Republican president no less. Continue reading

JAUNTY AND WITTY AND GAY: THE MONUMENTS MEN and DATE AND SWITCH


596e67fb-12a3-4e02-9512-88a162ead196_monumentsmen_featurette_gsAs I watched The Monuments Men, the new George Clooney film about trying to save stolen art during World War II, the word that kept coming to my mind was “jaunty”. Yes.  It’s a very…jaunty movie, with a, well, jaunty plot, and jaunty characters played by jaunty actors and all backed by a very jaunty score, a wonderful bit of musicality by the wonderful Alexandre Desplat that kept reminding me of the Colonel Bogey march from The Bridge on the River Kwai—it’s that jaunty. Continue reading