First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Two films at this year’s AFI fest had, as their central characters, women who work outside the home. But the takes on the situation by the respective filmmakers couldn’t be more different.
In Things to Come (not to be confused with the Sci-Fi film from 1936 starring Raymond Massey…I hope), Nathalie Chateaux teaches philosophy in high school. And I don’t mean teaches philosophy, she TEACHES philosophy (and in a way that makes you put on sackcloth and ashes, moaning and bewailing in despair over the U.S. educational system).
Everything in her life seems in perfect equilibrium. She has a loving husband, family, occupation (her only real downside is that her mother is emotionally unstable).
Then she encounters a series of misfortunes. Her husband asks for a divorce; her mother dies; and she is basically fired from her position of overseeing the philosophy texts used in school. Continue reading →
First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Queen and Country, the new semi- autobiographical film from writer/director John Boorman (the semi part) is a sequel to Boorman’s earlier film Hope and Glory, an episodic comedy about a young lad’s picturesque adventures during World War II.
When we last saw the wee Bill, he had arrived at school to see it on fire from having been bombed during the Blitzkrieg, prompting him to yell out, “Thank you, Adolf”. It’s nearly a decade later now and Bill is an older teen and is conscripted into the army during the Korean War.
How you respond to Queen and Country will probably depend on how you respond to the way Bill is dramatized here. Personally, and to be ruthlessly honest, I found him a poor excuse for a human being who, first, has an amazing inability to fully comprehend just how lucky he is, and second, for someone whose future lies as a filmmaker, an amazing inability to understand, empathize or read the people he interacts with. Continue reading →