POP ART: Episode 17, Face/Off/Mulholland Drive

“Lies, deceit, mixed messages… this is turning into a real marriage”. Not quite feeling yourself these days?  Do you suspect you might not be who you think you are? Maybe that you might even be…someone else? Just in time for Episode 17 of Pop Art, the podcast where my guest chooses a movie from popular culture and I select a film from the more art/classic side of cinema with a connection to it. This time, my guest, filmmaker and screenwriter AJ Bermudez, chose Hong Kong filmmaker John Woo’s over the top action thriller Face/Off while I have chosen David Lynch’s surrealistic neo-noir Mulholland Drive, both with characters who are not exactly themselves for most of the story. And here we answer such questions as: What happened to John Woo in America? What the hell is going on in Mulholland Drive? Is John Travolta better at playing Nicholas Cage, or Cage better at playing Travolta? What are the best scenes in each movie? What do I and David Lynch have in common and what do the French have to do with it? What is the weakest scene in Face/Off? Who or what is Harve Presnell and would you want to be one? In the meantime, listen to, like, comment on and follow other episodes ON ITUNES AND PODOMATIC. https://podcasts.apple.com/us/podcast/pop-art/id1511098925 and https://hcasner65579.podomatic.com/, as well as iheartradio: https://www.iheart.com/podcast/269-pop-art-65365716/, Sticher: https://www.stitcher.com/podcast/pop-art Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw , Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block; Adaptation/Sunset Boulevard; Die Hard/District B13; American Psycho/Repulsion; Dumb and Dumber/Too Late For Tears; Get Out/Upstream Color; Galaxy Quest/The Seven Samurai.


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Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

NOSTALGIA AIN’T WHAT IT USE TO BE: Everybody Wants Some!! and Sing Street

First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
rev 1Two movies have opened recently that take place in the recent past (the 1980’s to be more precise).  Each felt pastelled over with a patina of nostalgia, a painful desire for a sweet past.  But the two couldn’t be more different in their approaches.
Everybody Wants Some!! (with two, count ‘em, two exclamation points) is the most recent effort from writer/director Richard Linklater. Like his previous effort, Boyhood, it doesn’t use a hero’s journey or character arc, nor does it use a plot in which a central character must overcome an obstacle or gain a goal, as the basic structure.
No, rather, like such films as Amarcord and Cleo from 5 to 7, it uses a passage of time to hold its story together. Continue reading