O WHAT A TANGLED WEB WE WEAVE: Baby Driver and Spider-Man: Homecoming


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I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
I can certainly see why people are so in love with Baby Driver, the new heist film from writer/director Edgar Wright. It’s about as stylish as you can get, and with a stylishness that has a bouncy feel good quality to it that gets you to sit up in your seat, tap your foot and just generally groove out.
It begins with a bank robbery and a car chase orchestrated to a song chosen by the title character (a getaway driver with pouty lips and baby face). It’s followed soon after by a one take with said character bopping down the street to another song, barely dodging people on the street, and backed by some nice gymnastics (this is important because there comes a time when suddenly he’s bumping into people right and left, signaling a sea change within the character).
Everything is calculated and carefully choreographed to be cool and hip. And it is pretty cool. In fact, the movie is not only pretty cool, it’s fully aware as to how cool it is and revels in this coolness to such an extent that it knows that the audience knows that it knows just how cool it is. Continue reading
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BOYS WILL BE BOYS: Goodnight Mommy and Cop Car


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
cop car 1Kids. Can’t live with them. Can’t kill them…or can you? Well, in two new movies with young boys as central characters, infanticide might not be such a bad idea because if you don’t, they might get you first.
Cop Car is a nice, tight little thriller about two pre-teens who are wandering across some wide open spaces common in their part of the country. They seem to have run away for some reason which is never explained (there’s a lot that is never explained in the movie, which is fine, since such explanations are often irrelevant as it is and would only get in the way).
They come upon an abandoned cop car, the sheriff nowhere in sight, find keys in it and, hey, boys being boys, they go joy riding…unaware that there is a body in the trunk.
Okay, I’m sorry, but this is a pretty neat set up for a couple of hours in the theater and the movie does an excellent job of fulfilling all expectations. It’s one of those films that doesn’t really do anything, but in the end, whatever it doesn’t do, it certainly does it rather well. Continue reading