THE FRENCH ARE COMING, THE FRENCH ARE COMING: Lolo, Valley of Love and My Golden Days


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
rev 1COLCOA, the incredible film festival of new French cinema (as well as some classics), will be starting in a couple of weeks.  But while you may be waiting in baited breath for it (well, I am), you don’t have to wait that long to see Gallic cinema.  A few films from the land of Truffaut and Godard have opened in Los Angeles in the last few weeks.
They are opening now between the months of January (where the movies are mainly the leftovers from the Oscar noms and those movies the studios wish to bury) and June (or whatever month is the one where the tentpole films will be thrust upon us).  Translated, this means the time period when strong, introspective and personal films can make their appearance before they are gulped up and spit out by billion dollar movies as if they were a character in Jaws.
Lola, the new French rom com written by Eugenie Grandvil (a first feature) and the director Julie Delpy, has more than a passing resemblance to the Duplass brothers’ American comedy Cyrus, starring John C. Reilly, Marisa Tomei and Jonah Hill (in the title role).  In both, the young son of an unattached mother tries to ruin any chance she may have of a relationship.  Continue reading

I’M READY FOR MY CLOSEUP, MR. DEMILLE: Hail, Caesar!


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS

 

rev 3Hail, Caesar!, the latest comic satire from Joel and Ethan Coen, is one of those films that has so much that is right with it, plus a bit more that is brilliant, that it makes it all the more disappointing that it doesn’t quite come together.
The basic premise has as its center piece one Eddie Mannix (Josh Brolin), head of production at the fictional Hollywood studio Capital Pictures (the same studio that the Brothers used in Barton Fink). Over the course of one or two days, he has a difficult decision to make: should he remain at Capitol where he’s constantly having to put out fires both large and small and is constantly confronted by the insane antics of his stars, or will he take a position as head of Lockheed, a safe position with a guaranteed future (this is the 1950’s after all, and TV is more than making its presence known), fewer hours and less stress on the nerves?
Well, so far so good. Continue reading

IS IT REAL OR IS IT MEMOREX: Ex Machina and True Story


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
ex machinaA critic once said that when you get down to it, there aren’t that many plotlines; after all, Frankenstein and Pygmalion are basically the same story.
This came to mind as I was watching Ex Machina, the new sci-fi drama written and directed by Alex Garland (who also wrote the very involving Never Let Me Go and the highly successful 28 Days Later…). For my money, what he’s done is basically combined both Mary Shelley and George Bernard Shaw’s seminal works into one narrative.
It’s intriguing. But for me, I also found it a bit slow, unfocused at times and, well, to be ruthlessly honest, more than a bit creepy in ways that may not have been intended.
The last is because the more I think about Ex Machina, the more it seems to me that what the movie is about is not what the movie is about. And what the movie is really about made me very uncomfortable. Continue reading