POP ART: Episode 15, Get Out/Upstream Color

“By the way, I would have voted for Obama a third term, if I could.” Are you feeling a bit paranoid these days? Wondering if your mind’s your own? Time for Episode 14 of Pop Art, the podcast where my guest chooses a movie from popular culture and I choose a film from the more art/classic side of cinema. This time my guest, Anastasia Washington, stand up comedienne and co-host of the Cereal Killer podcast, chose the Jordan Peele game changing horror film, Get Out, and I chose writer/director Shane Caruth’s experimental, WTF sci-fi film, Upstream Color, both films about mind control. And we talk about such subjects as: Why is Get Out perhaps the most important movie of the 2010s? What is genre meets diversity? Pigs, pigs, pigs? Which ending for Get Out is the best? What happens when you write, direct, star in, edit, compose music, co-photograph and self-distribute a movie? What can be achieved on a nothing budget? So keep thinking good thoughts, if they are indeed your thoughts. Also, like, comment and follow other episodes at ON ITUNES AND PODOMATIC. https://podcasts.apple.com/us/podcast/pop-art/id1511098925 and https://hcasner65579.podomatic.com/, as well as iheartradio: https://www.iheart.com/podcast/269-pop-art-65365716/, Sticher: https://www.stitcher.com/podcast/pop-art Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw , Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block; Adaptation/Sunset Boulevard; Die Hard/District B13; American Psycho/Repulsion; Dumb and Dumber/Too Late For Tears.


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Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

THE FEMALE OF THE SPECIES: Get Out and You’re Killing Me, Susana

For questions: hcasner@aol.com
First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Get Out, the new horror/thriller from writer/director Jordan Peele (you know him, he’s the half of the duo of Key and Peele who doesn’t get the Emmy nomination for acting), has a rather interesting and new take on race relations.
In this film in which black characters are tricked by a whiter than white upper middle class princess to come to the country to meet the folks, the princess’ father tells our hero Chris Washington that for some reason, possibly genetic, but he and none of his cohorts know why really, the black race is surpassing and often has surpassed the white race.
So what choice does the superior white race have if they want to survive? Continue reading