CHARACTERSCURA: The Hero and Moscow Never Sleeps


First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
Sam Elliott, the go to guy to cast as a love interest for older women, has a somewhat limited acting range. His technique, generally speaking, is of him taking a stance, cocking his head a bit, and delivering a line with a twinkle his eye. And there often seems to be very little variation on this approach.
But you know what?
I don’t care. I just love seeing him on the screen. Maybe it’s his mellifluous voice that could calm a tornado (somewhat satirized here in the opening and closing as he does a voice over for a BBQ ad). Maybe it’s his sincerity. Maybe it’s just his ability to be on the screen with seemingly little effort.
I just like him. Continue reading

LAST BUT NOT LEAST: Selma and Big Eyes


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r

 

Warning: SPOILERS

 

The title of these reviews is called Last But Not Least because Big Eyes and Selma are the final two movies I’m going to include under my 2014 reviews. After this, all films will fall under my 2015 reviews, no matter whether they were released in 2014 or not.

 

So off we go.
big eyesThe strongest aspect of Big Eyes, the new bio-com written by Scott Alexander and Larry Karaszewski and directed by Tim Burton, is the art direction and production design.
Beginning in the 1950’s, the sets, the costumes, the look, the colors all have a poodle skirt playfulness about them that gives the movie some much needed energy.
This should probably be of no surprise since Burton has always had one of the more striking visual eyes in movies today, from Edward Scissorhands to Ed Wood to Alice in Wonderland. If nothing else, his films can be fun to watch.
But outside of that, there is almost nothing that works in this movie. Nothing, and almost amazingly so. Continue reading