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Several movies have opened of late that revolve around parent/child relationships, especially a single-parent household. I don’t know if this is part of a zeitgeist or whether award season tends to topics that comic book movies normally don’t cover. But whatever the reason, it is what it is.
In Toni Erdmann, the German entry in the foreign language category at the Oscars, and the one expected to win, is about a retired father who decides to look up his consultant daughter who lives in another city. She’s in the middle of a major deal and really doesn’t have time for him (and the suggestion is that he’s never really had time for her), but instead of taking the hint and leaving, he sticks around, dons a wig and false teeth and pretends to be a life coach called Toni Erdmann, insinuating himself into his daughter’s life.
The odd turn here is that the daughter seems to decide to call his bluff and pretend that he is the person he is claiming to be.
The movie is overflowing with charm and has a certain quirky atmosphere to it. I can understand why it’s a crowd pleaser in many ways. And I can’t say I left disappointed. Continue reading →