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The Revenant is, perhaps, one of the most visceral movies you will see in some time. Everybody involved, from the technicians to the designers to the screenwriters (Mark L. Smith and Alejandro Gonzales Inarritu from a novel by Michael Punka), to the director (Inarritu) seemed to have gone out of their way to give the movie a feeling of verisimilitude that can be matched by few films.
The dirty bodies and clothes and rotting teeth (you can almost smell the bad breath); the zip of an arrow through a man’s throat; the blood flowing from wounds made by knifes, bullets and hatchets; and the never ending harsh environment of snow and icy rivers (I almost caught the flu) are all paraded proudly for public consumption.
This is probably best demonstrated with what may now be the infamous bear attack scene in which our hero (Hugh Glass, played very bravely and stoically by Leonardo DiCaprio) is mauled, bitten and strewn all over the place by a mama grizzly fearing for her cubs. It’s an amazing bit of filmmaking and in many ways deserves all the praise it has earned.