IT’S A DISASTER: The Magnificent Seven and Deepwater Horizon


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I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
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Warning: SPOILERS
rev-1Two films have opened as of late which have disaster in common. One falls into that genre and one almost is one.
There is one transcendent moment in the most recent version of The Magnificent Seven. It comes at the end as the credits begin by showing each of the characters. At this point, behind them, one can here the incredibly epic score by Elmer Bernstein from the 1960 version. It’s stirring, splendid, glorious, stunning…
Unfortunately, this tiny fraction of the movie only really ended up serving one purpose: it clearly reminded the audience of the earlier version, and not to the benefit of the present one, and only went to show how bland and uninteresting the music is when it comes to James Horner and Simon Franklin’s score for this Western remake of a remake (yes, it apparently took two people to come up with something so dull). Continue reading

MANLY MEN: The Finest Hours and Mojave


First, a word from our sponsors: I am now offering a new service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev 1The story of The Finest Hours, based on a true one the screen tells us, takes place in 1951, which is probably apropos since whatever else the movie is, it’s certainly good old fashion entertainment.
It’s a movie in which men have to do what men have to do and their strong independent minded women also serve by sitting and waiting. It’s a movie that if it were done in odorama or smellovision, testosterone would be the fragrance of choice. It’s a movie so Howard Hawksian, you can’t help but wonder what that great director might have achieved with state of the art CGI.
But perhaps most important than all of that is that The Finest Hours is rollicking, edge of your seat fun. Yes, it’s formulaic and predictable (you can see the tropes coming a mile, or knot, off), but here it’s so well done, with such sincerity and heart, that the familiarity just makes it more enjoyable. And if that’s not enough, it has enough chills, thrills and nail biting suspense for ten movies. Continue reading

HELL ON EARTH: LONE SURVIVOR and THE BROKEN CIRCLE BREAKDOWN


Lone-SurvivorThe action/adventure/war movie Lone Survivor, written and directed by Peter Berg (who seems desperate to make Taylor Kitsch, who he has directed before in Friday Night Lights and Battleship—at least we can’t blame him for John Carter of Mars, into a star for some reason), is a film of ironies.
It’s a celebration, even an exaltation, of the abilities of the elite fighting team Navy Seals; yet the mission dramatized here is a failure, and not just a failure, but a spectacular one at that.