O WHAT A TANGLED WEB WE WEAVE: Baby Driver and Spider-Man: Homecoming


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Warning: SPOILERS
I can certainly see why people are so in love with Baby Driver, the new heist film from writer/director Edgar Wright. It’s about as stylish as you can get, and with a stylishness that has a bouncy feel good quality to it that gets you to sit up in your seat, tap your foot and just generally groove out.
It begins with a bank robbery and a car chase orchestrated to a song chosen by the title character (a getaway driver with pouty lips and baby face). It’s followed soon after by a one take with said character bopping down the street to another song, barely dodging people on the street, and backed by some nice gymnastics (this is important because there comes a time when suddenly he’s bumping into people right and left, signaling a sea change within the character).
Everything is calculated and carefully choreographed to be cool and hip. And it is pretty cool. In fact, the movie is not only pretty cool, it’s fully aware as to how cool it is and revels in this coolness to such an extent that it knows that the audience knows that it knows just how cool it is. Continue reading
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THEY’RE EITHER TOO YOUNG OR TOO OLD: I’ll See You In My Dreams and Inside Out


First, a word from our sponsors. Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
ill see you my dreams 1I’m not really sure what to say about the new independent movie I’ll See You In My Dreams, written by Marc Basch and Brett Haley and directed by Haley, except that it is quite a lovely, little film filled with acute observations about life as one enters one’s golden years.
Is that enough for a film these days? I don’t know. But in this particular case, I found it more than ample.
The movie is basically a character study of one Carol Peterson (Blythe Danner). In her young life she was a singer (she has one of the best explanations for why she is one no longer: “One day I was in a band and one day I wasn’t”). She got married and became a teacher, had a daughter, and then her husband died, allowing her to retire on more than comfortable means. Continue reading