NEW YORK, NEW YORK, A HELL OF A TOWN: The Dark Tower and Good Time


First, a word from our sponsors: I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
 
Warning: SPOILERS
The Dark Tower is proof of an observation I’ve made of Hollywood at its worst. They take a filmmaker, often foreign, who has gained attention, often with a body of impressive work. Then, as punishment for this sin, they bring the filmmaker to the U.S. and give him any old crap to film.
The filmmaker referenced here is Denmark’s Nicolaj Arcel, who has either written or directed, or both, such noteworthy fare as the original The Girl with the Dragon Tattoo, A Royal Affair, and the Department Q trilogy.
The crap he’s been entrusted with has already been mentioned.
All right, that’s not exactly accurate. The Dark Tower is not crap. It’s not really anything. It’s just kind of there…like limbo. Continue reading