First, a word from our sponsors: I wanted to say thank you to everyone who contributed to our Indiegogo campaign for 15 Conversations in 10 Minutes. We did very well due to you folks. For those who weren’t able to give, keep us in your thoughts. And if you are able to contribute in the future, contact me and I’ll tell you how. I will even honor the perks on the original campaign.
I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
In my last review, I mentioned that a number of films opened with women as the central character. This week, this trend continues with five more. And now that fall is upon us and productions companies and distributors are going to begin release of films to qualify for the Academy Awards, we should see a number more as everyone races for a Best Actress nod.
The lesson I suppose is don’t look for female driven movies from Hollywood and the studios, but from independent and art films and the prestige pictures at year’s end.
The Handmaiden is a new import from South Korea, one of the two countries that, along with Romania, are producing the most interesting films internationally. It is based on Fingersmith, a thriller by Welsh (and lesbian) writer Sarah Waters that in the novel takes place in Victorian era Britain, but has been switch to 1930’s Japanese occupied Korea because, well, little is more universal than murder and other nasty deeds.
To show how pretentious moi can be, The Handmaiden is as if James Cain wrote Victorian pornography using a Rashomon type structure. Continue reading →
Ever wonder what a reader for a contest or agency thinks of your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
Ofttimes of late, and not so late, I get into a discussion/ argument/ knock down drag out fight as to whether the director or the screenwriter is more important to the success of a movie, or even to the existence of a movie. The conflict usually boils down to which is more important, the visual or written aspects.
It’s a silly argument, at least it should be, because the answer is that both are important and neither should be denigrated (and are often so intermingled that you can’t even tell what part of the film resulted from one over the other). It’s a pretty obvious conclusion, though you’d be surprised as to how many people don’t go for the obvious. Continue reading →