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Ricky Ricardo: Lucy’s actin’ crazy. Fred Mertz: Crazy for Lucy, or crazy for ordinary people?
I Love Lucy
First, I must begin by being absolutely clear so that everyone knows where I stand. Lucy, the new sci-fi thriller written and directed by French filmmaker (and some people use that term loosely in this context) Luc Besson is a terrible film.
I mean, c’mon. You know it. I know it. We all know it’s terrible. It’s silly, nonsensical, preposterous, absurd, often makes no sense and is not remotely believable, even for an unrealistic fantasy sci-fi thriller.
Which is also, in m any ways, a redundant way to state it because, well, gees, I mean, c’mon, it’s a Besson film, for Christ’s sake.
But with that being said, it may very well be a…dare I say it…I dare…great terrible movie. Continue reading →
Transcendence (or perhaps more aptly titled Trance-enduscence), the new sci-fi thriller written by Jack Paglen and directed by Wally Pfister (a first feature for both, though Pfister was the cinematographer on many Christopher Nolan films), is about a scientist, Will Caster, who tries to turn the world into a dystopian Eden when his brain is uploaded into a computer.
The basic structure is as familiar as any standard piece of Victorian literature, the period when Mary Shelly wrote Frankenstein, a horror story about an egotistical scientist who tries to play God by creating a man out of a bunch of miscellaneous parts from dead bodies. Continue reading →
In a perfect world, if someone went to the bigger of the big shots, the higher of the higher ups, the muckier of the mucky-mucks, at a studio and pitched them the idea of making a movie based on Lego blocks, he would have been hung, strung and quartered in such a way as to be sure that he could never have progeny so such a suggestion could never be made again (I mean, just think how much pain and suffering we would have avoided if they had done that for Battleship). But alas and alac, this is not a perfect world. Continue reading →