POP ART: Episode 17, Face/Off/Mulholland Drive


“Lies, deceit, mixed messages… this is turning into a real marriage”. Not quite feeling yourself these days?  Do you suspect you might not be who you think you are? Maybe that you might even be…someone else? Just in time for Episode 17 of Pop Art, the podcast where my guest chooses a movie from popular culture and I select a film from the more art/classic side of cinema with a connection to it. This time, my guest, filmmaker and screenwriter AJ Bermudez, chose Hong Kong filmmaker John Woo’s over the top action thriller Face/Off while I have chosen David Lynch’s surrealistic neo-noir Mulholland Drive, both with characters who are not exactly themselves for most of the story. And here we answer such questions as: What happened to John Woo in America? What the hell is going on in Mulholland Drive? Is John Travolta better at playing Nicholas Cage, or Cage better at playing Travolta? What are the best scenes in each movie? What do I and David Lynch have in common and what do the French have to do with it? What is the weakest scene in Face/Off? Who or what is Harve Presnell and would you want to be one? In the meantime, listen to, like, comment on and follow other episodes ON ITUNES AND PODOMATIC. https://podcasts.apple.com/us/podcast/pop-art/id1511098925 and https://hcasner65579.podomatic.com/, as well as iheartradio: https://www.iheart.com/podcast/269-pop-art-65365716/, Sticher: https://www.stitcher.com/podcast/pop-art Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw , Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block; Adaptation/Sunset Boulevard; Die Hard/District B13; American Psycho/Repulsion; Dumb and Dumber/Too Late For Tears; Get Out/Upstream Color; Galaxy Quest/The Seven Samurai.

 

Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

POP ART: Episode 11, Adaptation/Sunset Blvd.


NEW EPISODE: “Audiences don’t know somebody sits down and writes a picture; they think the actors make it up as they go along.” The quarantine is giving you a lot of time to write and work on your art. But are you? Sounds like the perfect time for the next episode of Pop Art, the podcast where the guest chooses a movie from pop culture and I, in turn, choose a film from the more art/classic side of cinema that has a connection to it. My guest, filmmaker Josh Kim (writer/director How to Win at Checkers (Every Time)), chose the whimsical, idiosyncratic movie Adaptation written by Charlie and Donald Kaufman, while I chose the film noir Billy Wilder classic Sunset Blvd. (the movie that shows the real tinsel behind the fake tinsel of Hollywood), both about screenwriters in crisis. And we cover such topics as: What does it say about screenwriters? Which is the better film? Why did Charlie Kaufman think his career was over? What was the original opening for Sunset Blvd. and how did they achieve the shot used now? Who else was considered for the various roles? Who or what is an H.B. Warner? And what is the connection to Rebel Without a Cause? Finally, remember, it’s the pictures that got small.

Next up: Die Hard/District B13.

ON ITUNES AND PODOMATIC https://podcasts.apple.com/us/podcast/pop-art/id1511098925 and https://hcasner65579.podomatic.com/, as well as Spotify: https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcGm , Anchor: https://anchor.fm/howard-casner, Google Podcasts: https://podcasts.google.com/?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8xZWI4N2NmYy9wb2RjYXN0L3Jzcw , Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNb, Soundcloud: https://soundcloud.com/you/tracks   And don’t forget to LIKE, COMMENT and FOLLOW.

Previous episodes: Raiders of the Lost Ark/The Treasure of the Sierra Madre; Goldfinger/The Spy Who Came in From the Cold; Monty Python and the Holy Grail/The Seventh Seal; The Great Escape/A Man Escaped; Best in Show/Series 7: The Contenders; Robocop/THX 1138; Singin’ in the Rain/Irma Vep; Star Wars/The Hidden Fortress; The Omen/Village of the Damned; Aliens/Attack the Block.

 

Check out my Script Consultation Services at http://ow.ly/HPxKE. I offer several types of service. Testimonials can be found at the blog entry.

Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out the second edition of my screenwriting book, More Rantings and Ravings of a Screenplay Reader published on Amazon at https://www.amazon.com/dp/B07GD1XP9Y

Finally, I have published a collection of three of my plays, 3 Plays, https://www.amazon.com/dp/B08478DBXF as well as two collections of short stories, The Starving Artists and other stories, https://www.amazon.com/dp/B07FS91CKJ and The Five Corporations and the One True Church and other stories, https://www.amazon.com/dp/B07KY5Z3CF.

MIXED DOUBLES: The Trust and The Nice Guys


First, a word from our sponsors: I have just launched the indiegogo campaign for my short film 14 Conversations in 10 Minutes. Check it out http://ow.ly/SblO3005HHu.  Below is a video sample of the short. Think about contributing (the lowest contribution is only $5.00). Please view and share anywhere and everywhere.

I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00.  For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you.  I’ll help you not lose the reader on page one. 
 
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay?  Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013.  Only $2.99. http://ow.ly/xN31r
 
and check out my Script Consultation Services: http://ow.ly/HPxKE
Warning: SPOILERS
rev 3The Trust, the new semi-caper film from writers Benjamin Brewer and Adam Hirsch and directed by Alex and Benjamin Brewer, starts out somewhat as a shaggy dog story. Which works rather well since the two central characters, both Las Vegas PD police officers (Nicholas Cage and Elijah Wood), look and act like mutts one might find at an animal shelter, desperate to be adopted before they end up in the incinerator.
The two decide to rob a convenience store after they notice that said store receives regular deliveries, large bags, which disappear inside the premises. In return, nothing comes out; nada; zip; not a thing. So what exactly are the owners hiding inside in that new, state of the art, almost impossible to get into, concrete and steel freezer that is just simply too high end for a mom and pop operation such as it is?
The two decide to go after a pig in a poke and break in and take whatever they can find. And though each have their own personal motivations (Wood’s character Waters is bored and burnt out, and Cage’s character Stone has ideas for the force that go underappreciated), in many ways they really do it for the best of all reasons—they can. Continue reading