First, a word from our sponsors: I am now offering a new consultation service: so much emphasis has been given lately to the importance of the opening of your screenplay, I now offer coverage for the first twenty pages at the cost of $20.00. For those who don’t want to have full coverage on their screenplay at this time, but want to know how well their script is working with the opening pages, this is perfect for you. I’ll help you not lose the reader on page one.
Ever wonder what a reader for a contest or agency thinks when he reads your screenplay? FosCheck out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
I, Tonya, the new film from writer Steven Rogers and director Craig Gillespie, is a fictional account of the ice skating scandal where the husband of skater Tonya Harding, along with her bodyguard, conspired to break the leg of Tonya’s main rival, Nancy Kerrigan.
No matter what else it may be, I, Tonya is very successful and could easily be a real crowd pleaser. Structurally, it’s a forthright dramatization of the events punctuated with talking head interviews of the characters looking back on events. It’s often extremely funny and at times manages to show some empathy for the title character.
Though it is effective, it also at times feels a bit condescending and exploitive, as if the filmmakers were treating this as an elongated Jerry Springer show. So the laughs are sometimes a bit cruel and at the expense of the real life counterparts. Continue reading →
Ever wonder what a reader for a contest or agency thinks of your screenplay? Check out my new e-book published on Amazon: Rantings and Ravings of a Screenplay Reader, including my series of essays, What I Learned Reading for Contests This Year, and my film reviews of 2013. Only $2.99. http://ow.ly/xN31r
All the while, while watching Godzilla, the mega monster movie epic written by Max Borenstein from a story by Dave Callaham and directed by Gareth Edwards, all I could think is “where is Mystery Science Theater 3000 when you need them?”
(I remember this one moment, see, and this female MOTU, okay, she like passes over the central character, Ford Brody, and you can like see its testicular like sac carrying its eggs and everything, and, and I so wanted Crow, Tom Servo or Gypsy to call out, “Please don’t teabag me, please don’t teabag me”). Continue reading →